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Word: benjamin (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...NEWS HOUR: GENERATIONS APART (CBS, 10-11 p.m.). The barriers between generations, as seen by students, S. I. Hayakawa, Margaret Mead, Herbert Marcuse, Sidney Hook and Dr. Benjamin Spock. Part 2 of a series, this segment is called "A Profile of Dissent...

Author: /time Magazine | Title: Television, Cinema: may 23, 1969 | 5/23/1969 | See Source »

...associate member of the American Association of Art Museum Directors and was one of the founding members of the Institute of Contemporary Art in Boston. She is also a fellow of the American Academy of Arts and Sciences, a trustee for the Chapelbrook foundation, and a Benjamin Franklin Fellow of the Royal Society of Arts...

Author: By Aileen Jacobson, | Title: Miss Mongan Named Fogg Head; Bell Appointed to a Sociology Post | 5/19/1969 | See Source »

GOODBYE, COLUMBUS. Larry Peerce is a director with a lamentable sense of style and a laudable way with actors. Although his version of Philip Roth's 1959 novella of young love in suburbia is full of visual vulgarities, Richard Benjamin and stunning Newcomer Ali MacGraw save the show with their finely shaded performances...

Author: /time Magazine | Title: Time Listings: May 16, 1969 | 5/16/1969 | See Source »

GOODBYE, COLUMBUS. Philip Roth's stinging, perceptive 1959 novella has been turned into a slick little film about the glories, detours and tribulations of young love. Director Larry Peerce is often self-indulgent, but he has extracted two attractive performances from Richard Benjamin and a stunning newcomer named Ali MacGraw...

Author: /time Magazine | Title: Television: May 9, 1969 | 5/9/1969 | See Source »

...fourth item on the program, Benjamin Britten's cantata St. Nicolas, exemplifies the typical predilections of this composer. The melos of the work derives from a dulcissimo consort whose colors are determined by the whites and blacks of the human voice. St. Nicolas, like most of Britten's work, is characterized by self-effacing virtuosity, ingenuous theatricality, and effortless joviality. The Glee Club-Choral Society performance was vigorous and eminently enjoyable, with Tenor soloist Robert Gartside, the excellent solo violin, and the accomplished boy soloist all deserving particular praise...

Author: NO WRITER ATTRIBUTED | Title: Glee Club and Choral Society | 5/7/1969 | See Source »

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