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...feet had been placed sideways, with the nail driven first through a small block of wood and then through both heels into the cross. Later the wood block would prevent the feet from coming free as the wound ripped and enlarged. Contrary to most representations, the knees were bent...

Author: /time Magazine | Title: Jerusalem At The Time Of Jesus | 4/16/2001 | See Source »

...obvious area that those bent on retaliating may consider is the Taiwan arms sale. Speculation had been that Washington would stop short of giving Taiwan the Aegis at this stage. But there's now speculation that there will be a stronger push to approve that sale immediately, as a way to punish China. That, however, would probably undercut the very pro-Western forces we want to support in China. Canceling President Bush's planned state visit to Beijing in the fall? Well, the reason he scheduled that visit was presumably because he judged it in the best interests...

Author: /time Magazine | Title: New Perils Lurk in U.S.-China Relations | 4/12/2001 | See Source »

...like the nauseatingly responsible, health-conscious clotheshorse that I am, I make a detour to another, less pricey boutique. Still bent on adding something resembling height to my five-foot- five-inch frame, I find myself a pair of stolid, thick-heeled two-and-a-half-inch pumps. And every time I wear them, I try to ignore their dependable chunkiness, telling myself I'm compromising mere aesthetics for something far more enduring: The ability to walk...

Author: /time Magazine | Title: Fashionista, Heel Thyself! | 4/6/2001 | See Source »

...Night has at her disposal three virtuous wonder-boys who help Tamino thwart the Queen’s plans after leading him to Sarastro’s temple. Nor is it obvious why Sarastro, that paragon of priestly piety, employs as his prison warden an old lecher bent on ravishing Pamina...

Author: By Jason L. Steorts, CONTRIBUTING WRITER | Title: Mozart Makes Magic at the Met | 4/6/2001 | See Source »

...regardless of century, country, or medium-must have been rigid, as there is a set of fairly strict conventions apparent in the pieces. For instance, the artist seemed not to have much latitude in portraying Christ's body: head sunk to the right, right foot crossed over left, knees bent, eyes half closed, mouth slightly open. Here the earliest piece-the clunky bronze staring at you from the first display case-diverges, or perhaps precedes the established conventions. But every other Christ in the room conforms...

Author: By Sonja R. nikkia, CONTRIBUTING WRITER | Title: The Art of the Cross | 4/6/2001 | See Source »

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