Word: bent
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While shorthanded, Moore led a 2-on-2 rush down the ice. He stick-handled around Bear forward Michael Bent and rifled a shot over goaltender Scott Stirling's Glove to break Harvard out of its game-long funk...
...that she takes it beyond the strictly literary realm, adding all sorts of political and sociological undertones, and the result is extraordinarily vague. Yet, in this vague sense, the word gets tossed around quite frequently. The definition of a term that is useful for understanding literature has been bent out of shape, blown full of hot air and basically stretched to such a degree that it has ceased to have any meaning at all. The real postmodern dilemma isn't figuring out how to fight off some sort of vague monster that's threatening our ability to think, write...
...Alarmist starts as a modified Robin Hood where "the den" is a circa 1954 sushi restaurant, and the merry men have been compressed into several burglar alarm sales-people bent on income redistribution. Anyone familiar with Los Angeles will realize the timeliness of their "rob the rich" scam in which Heinrich Grigoris (Greg Tucci) boosts the sales of his alarms by staging robberies in the neighborhood of his potential clients. The twist in Grigoris' scheme is Tommy, the new salesman played with adorable, bumbling style by David Arquette. The real credit in The Alarmist must go to the actors. Like...
...Alarmist starts as a modified Robin Hood where "the den" is a circa 1954 sushi restaurant, and the merry men have been compressed into several burglar alarm salespeople bent on income redistribution. Anyone familiar with Los Angeles will realize the timeliness of their "rob the rich" scam in which Heinrich Grigoris (Greg Tucci) boosts the sales of his alarms by staging robberies in the neighborhoods of potential clients. The twist in Grigoris' scheme is Tommy, the new salesman played with adorable, bumbling style by David Arquette. A natural at the hook, the Tommy's moral sensibilities are deeply troubled...
...with his wily intelligence, seduced it with the precision of his plummy voice. He has dwelt inside Hamlet, Romeo, Coriolanus, Richard II and Richard III (in his version, a purring, reptilian gangster), caressed the mood of wistful doom in Chekhov, played Captain Hook and Inspector Hound and, in Bent, a gay man in a Nazi camp. But except for Richard III, which he brilliantly reimagined for film, all these great performances disappeared into the playgoer's memory on closing night. You had to be there; most of you weren...