Word: bent
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...pants and a white, cossack-style shirt with frilly cuffs, Helfgott, who still takes a daily mix of antipsychotic drugs, smiled giddily as applause washed over him, then launched into a formidable program of Mendelssohn, Chopin, Liszt and Beethoven. He hummed, groaned and jabbered as he played, his head bent low over the keyboard, his fingers flying. At times he sang a melodic line instead of playing it. Midway through a Chopin Ballade he began picking nervously at his shirt and lost the melody altogether...
...felt "a computer would have very little chance of beating a top grand master." That myth faded quickly. Halfway through Game 1, faced with daunting circumstances--"an open position, my king is exposed, many weaknesses"--Kasparov undertook a blitzkrieg aimed at Deep Blue's king, the sort of hell-bent gambit that has devastated every pretender to his throne. "Any human being," he explains, "feels uncomfortable feeling his king under pressure...
...American retrospective bend iron with their eyes. In Meireles' exhibition at the Boston Institute of Contemporary Art (his only U.S. venue), he presents the viewer with an open box containing two iron bars, one straight and one curved. The title of the work tells us they are "To be Bent with the Eyes." Beneath the bars, a graph paper background adds pseudo-scientific validity to the notion that over time our vision will exert some kind of material force on the art object. Here Meireles makes us his collaborator, and we can only wonder how many viewers it will take...
...Bent with the Eyes" (1970) is just one of the many pieces in the ICA's thoughtfully installed show which explicitly explore the viewer's relationship to the work of art by confounding normal perception. One of Brazil's most important contemporary artists, Meireles is often associated with Conceptual Art, which engages the viewer with an idea rather than an actual art object. Meireles, like the most famous Conceptual artists, including Joseph Kosuth and Lawrence Weiner, gained critical acclaim in the 1970s. Through the medium of language, Kosuth and Weiner examine such issues as the commodification of the art object...
...other Elohim residents to her apartment in Tulsa. She asked them to paint three unarmed grenades orange and green like Halloween pumpkins. They obliged. But when she asked them to help her arm the grenades, they refused, as Mahon says he later did too. "I knew she was bent," he says. "She was the one always talking about killing and bombing," in an attempt, he contends, to entrap others at the compound...