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...play's hero, Bentley (Jack Murdock), speaks ad copy. He is the adjunct of his possessions, the stereo set, transistor and white antiseptic machine for nonliving that he calls his "home unit." He adores his wife (Barbara Caruso) though she makes him a voyeur to his own cuckolding. He has unquestioning faith in his friends, though they are parasitic phonies. Perishing in a snowdrift of optimistic clichés, Bentley loses all - home, wife, job, future...

Author: /time Magazine | Title: The Theater: Aussie Absurdist | 2/14/1972 | See Source »

...wings, and never seen, is a devil ex machina, Simmo, a man who strip-mines simple souls like Bentley. Buzo tells us that the meek do not in herit the earth, and that the power-brutes who do pocket only cinders...

Author: /time Magazine | Title: The Theater: Aussie Absurdist | 2/14/1972 | See Source »

Rarely has black comedy been more lavish in its laughter. As for Murdock's Bentley, it is a masterly portrait, initially of a puppy dog, later of a crushed fellow human whom no one could fail to cherish...

Author: /time Magazine | Title: The Theater: Aussie Absurdist | 2/14/1972 | See Source »

...already terrorized London, Dr. Vannevar Bush, head of the Office of Scientific Research and Development, said that intercontinental missiles would not be possible for a "very long period of time." The American public, he impatiently contended, should not even think about them. Only last December, Dr. Bentley Glass, a geneticist and the retiring president of the American Association for the Advancement of Science, added his name to the list of doubters. The basic laws of science are all now known, he said. "For all time to come these [laws] have been discovered, here and now, in our own lifetime...

Author: /time Magazine | Title: Time Essay: PUTTING THE PROPHETS IN THEIR PLACE | 2/15/1971 | See Source »

...worlds, and I was forced to make comparisons. Were the Gucci shoes and the Lilly sportcoat as expressive as the proud fisherman's beard and straw hat? And the weaver and the crazy woman-was their squabble the same as a joust of honking between a Mercedes and a Bentley? No, emphatically, no. Not Palm Beach: this extravagance could not have the same depth as the simple, slow, island rituals. The islanders' foibles had communicated their self-knowledge. Here, I felt that the foilbes denied that knowledge. Or was I just too culture-shocked to see through a veneer...

Author: By Christopher Cabot, | Title: Intersession Back from the Bahamas | 2/1/1971 | See Source »

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