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THOMAS HART BENTON: AN AMERICAN ORIGINAL, Nelson-Atkins Museum of Art, Kansas City, Mo. He said he wished his work could be exhibited in saloons, but the colorful, cantankerous Benton (1889-1975) is being honored in his centennial year not only with a biography and a PBS special but also with this full-dress retrospective in his native state. Featured: the stylized murals of American history and daily life for which he was best known. Through June...

Author: /time Magazine | Title: Critics' Choice: May 1, 1989 | 5/1/1989 | See Source »

...ever an American artist had seemed dead and buried a decade ago, along ! with the movement he had led, that man was surely Thomas Hart Benton (1889-1975). True, his huge murals writhing with buckskinned, blue-jeaned and gingham-clad Americans were still to be seen in situ in the Missouri State Capitol, Jefferson City, and the Truman Library, Independence, Mo.; his name might still be invoked in Kansas City, where his latter years were spent; and most students of American art history knew that he had been the teacher (and to no small extent, the substitute father) of Jackson...

Author: /time Magazine | Title: Art: Tarted Up Till the Eye Cries Uncle | 5/1/1989 | See Source »

...nostalgia and a market boom bring most things back eventually. In 1983 the Whitney Museum of American Art revived Benton's old co-regionalist, Grant Wood, with a retrospective. Six years later, it is Benton's turn, with a show of some 90 works at the Nelson-Atkins Museum of Art in Kansas City. Curated by the museum's Henry Adams, who wrote the well-researched and highly readable accompanying biography, Thomas Hart Benton: An American Original, it will run until June 18, then travel to Detroit, New York and Los Angeles through July...

Author: /time Magazine | Title: Art: Tarted Up Till the Eye Cries Uncle | 5/1/1989 | See Source »

...show confirms what one had already suspected. It is bound to be a hit, because Benton was a dreadful artist most of the time. He was not vulgar in the tasteful, closeted way of an Andrew Wyeth. He was flat-out, lapel-grabbing vulgar, incapable of touching a pictorial sensation without pumping and tarting it up to the point where the eye wants to cry uncle...

Author: /time Magazine | Title: Art: Tarted Up Till the Eye Cries Uncle | 5/1/1989 | See Source »

THOMAS HART BENTON: AN AMERICAN ORIGINAL, Nelson-Atkins Museum of Art, Kansas City. He said he wished his work could be exhibited in saloons, but the colorful, cantankerous Benton (1889-1975) is being honored in his centennial year not only with a biography and a PBS special but also with this full-dress retrospective in his native state. Featured: the stylized murals of American history and daily life for which he was best known. Through June...

Author: /time Magazine | Title: Critics' Choice: Apr. 24, 1989 | 4/24/1989 | See Source »

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