Word: bents
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Dates: during 1920-1929
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...able to do no better than equal the one goal lead which Technology gained in the first minute of the opening period when Veliez, of the visitors, pushed the ball into the Harvard net. The Crimson's lone count came in the third period after H. H. Broad bent '32 had broken through the Technology defense to score...
...wrapped in an automobile robe, his black New Mexican sombrero in his lap. His eyes were stunned, blankly staring at the verdict. Down his white, sunken cheek rolled a teardrop, to be kissed away by his sobbing wife. Other women present moaned and groaned hysterically. Robust cowpunchers and ranchers bent their heads in sorrow for their friend. Oilman Doheny, crimson with rage and chagrin, shook his fist at the bench and screamed: "That damned court-." Mark Thompson, Fall attorney, went white and limp, slumped to the floor, lay there unconscious for ten minutes before physicians could revive him. Bending over...
...Wilmington, Mass., one Joseph Wharton, 79, paused to pick up a nickel dropped by a stranger in a bank, had his life savings ($950) whisked from his hip pocket while he bent over...
...Columbia University and went to Paris in 1880, entered the Ecole des Beaux Arts where he studied architecture in the atelier of Jules André. In Paris he became imbued with the great French tradition but, never an academician, he returned to the U. S. with an open mind bent upon adapting his learning to U. S. limitations. In the firm of McKim, Mead & White, where he spent his apprenticeship, he shared a draughting board with John Merven Carrère. They quit McKim, Mead & White and hung out their own shingle. Soon they had a commission from Henry...
...flower of contemporary music, he second number will be especially noteworthy. Professor Josten of Smith is a composer and conductor of recognised prowess. His bent is toward the primitive and naturalistic, rather than the mechanistic, and the subject of his selection is one in which he can revel. The suggestion of the work came from the series of jungle paintings by Henri Rousseau, French expresisonist, whose simplicity and lack of the artificial form both a point of departure and a goal for Professor Josten's composition: The music is neither based strictly on African themes and rhythms...