Word: bents
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Dates: during 1960-1969
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...rail and patiently bided his time. In the backstretch, Carry Back began to challenge, but Kelso moved alongside-and Carry Back wilted. Valenzuela clucked to Kel so, and the champion went after Never Bend. For a few brief seconds the two horses raced head to head. Then Never Bend bent. Without ever feeling the bite of Valenzuela's whip, Kelso drew away, galloped to an easy, 31-length victory. The richest horse racing anywhere in the world had added another $70,720 to his bankroll...
Gazzelloni's virtuosity in a composition for solo flute by Japanese Composer Kazuo Fukushima astounded the audience; he bent tones into microtones...
Humane Apology. Surgeon in Chief Francis D. Moore of Peter Bent Brigham Hospital (TIME cover, May 2) heard of Callahan's condition, promptly phoned M.G.H. Chief of Surgery Paul Russell. What were the chances of Callahan's recovery? Not good, said Russell realistically. Had the patrolman suffered any injuries besides the head wound? No. Was there any reason to believe that his liver was damaged or diseased? No. Then, with the inevitable apology, Dr. Moore asked Dr. Russell if he would discuss with Callahan's wife, in case her husband should die, the possibility of releasing...
Ford was a dream project for the hot-shot young Air Forces team, bent on applying its service-learned management-control methods to industry. The ten began a department-by-department survey of the company, asked so many questions that they were dubbed the "Quiz Kids" by resentful Ford oldtimers. When they swung into action, the name was derisively changed to Whiz Kids. They switched Ford's capital, long left fallow, into interest-bearing accounts that promptly began earning Ford $4,500,000 a year, analyzed everything from assembly lines to suppliers' carburetors to learn how to trim...
...classical grace of his women on the right of "Two Figures Happening" all the more remarkable. The figure on the left displays typically massive thighs and a heavy torso inclined forward. The right-hand figure is powerful but much lighter. She twists toward her companion and her left arm, bent at the elbow, is thrown across her face. There is grace but not freedom. Both figures really seem to be "happening," to be struggling free of the surrounding darkness. Even in a classical motif Lebrun preserves the heaving of his visceral world...