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Next only to Vermeer, De Hooch (rhymes with broke, not pooch) was the greatest Dutch genre artist of the 17th century. Very little is known about his life. He was born in Rotterdam in 1629. He learned painting by apprenticeship there, probably to Nicolaes Berchem. By 1655 his name shows up on the rolls of the artists' guild in Delft. There he must have known the slightly younger Johannes Vermeer. Five years later, he was working in Amsterdam. He married and had seven children. None of his letters survive, and no drawings either. In 1684 he died in a madhouse...

Author: /time Magazine | Title: Art: Pieter de Hooch: Visionary Homebody | 2/22/1999 | See Source »

...Mannerists are well represented in this show by the paintings of Bloemaert, Cornelis Van Haarlem, and Honthorst and Terbrugghen--with rich colors and deep chiaroscuro effects (contrasts of light and dark) are also fairly well sampled, as are the Italianate canvasses, including paintings by Poelenburgh and Nicolaes Berchem. The influence of these three styles is very marked in seventeenth century Dutch paintings, particularly in the Rembrandts, but the range of Rembrandt paintings in this exhibition is not adequate to demonstrate this clearly...

Author: By Jonathan D. Fineberg, | Title: The Age of Rembrandt | 2/14/1967 | See Source »

...appeared last week that Director Pratt had unearthed a highly unusual hoard from the old Crocker cache. Of 60 drawings which have never been seen before in the U. S., the majority on display were by expert Flemish and Dutch draftsmen of the 16th and 17th Centuries: Nicolaas Berchem, Phillips Wouwerman, Willem van Bemmel, Jakob van Ruysdael, Rembrandt, Rubens. Among the paintings which had been cleaned off and hung decently were a Madonna by Andrea del Sarto, portraits by the Elder and Younger Lucas Cranach, a panel by Pieter ("Hell") Breughel, works of Poussin, Van Dyck, Guido Reni, Durer, Tintoretto...

Author: /time Magazine | Title: Art: Crocker Collection | 8/30/1937 | See Source »

...realm of landscape, there are the sunny restful Italian scenes of Jan Both and Nicholas Berchem. Some-what more Dutch in character are the sweeping compositions of Jan van Goyen and Solomon and Jacob Ruisdael, the gloomy moonlight view of Aart van der Neer, the wind-swept crags of Everdingen, and the quiet seas of William van der Velde. The genre painters are well represented by the rollicking drawings of Adrian van Ostade and Jan Steen, and the somewhat more restrained compositions of Nicholas Maes and Cornelius Dusart. Painters of animals are illustrated by brilliant little sketches of Paul Potter...

Author: NO WRITER ATTRIBUTED | Title: SEVENTEENTH CENTURY PAINTERS TO BE SHOWN | 3/18/1931 | See Source »

Some etchings by Dutch and Flemish masters of the seventeenth century are now on view upon the south and east walls of the print room in the Fogg Museum. They include works by Rembrandt, Van der Vliet, Both, Paul Potter, Bol, Ruysdael, Van Ostade, Teniers, Berchem, Van de Velde, and others. These works have an especial interest as illustrating the Dutch feeling for landscape and common life at the time when such subjects were first treated independently...

Author: NO WRITER ATTRIBUTED | Title: Old Etchings in Fogg Museum. | 10/29/1902 | See Source »

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