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Harvard’s Dance Program of the OFA presents its annual spring concert, featuring the work of student choreographers as well as professionals in the Boston dance scene, including Lazlo Berdo, Elizabeth Bergmann (director of the Dance Program), Jodi Allen and Adrienne Hawkins. See modern, ballet, jazz, and more; students and teachers dance together in this varied performance. Runs March 18 through March 20. Tickets $10 regular, $8 students and seniors. 8 p.m. Reiman Center for the Performing Arts in Radcliffe Yard...

Author: NO WRITER ATTRIBUTED | Title: Weekend Listings | 3/19/2004 | See Source »

This year’s performance will include dances by students Bradford Bachus, Shelby Braxton-Brooks ’03, Jetta Martin ’05, and Ryugi Yamaguchi ’03. Celebrated Boston choreographers participating are Laszlo Berdo, Jodi Allen, Adrienne Hawkins and Elizabeth Bergmann. All pieces in this weekend’s program are premieres. DV III will present a variety of styles with scores ranging from Schostokovich to Coltrane. Some of the dances will be accompanied by live music and poetry...

Author: By Jessica E. Gould, CONTRIBUTING WRITER | Title: Dance Preview :: Dancers’ Viewpointe III | 4/11/2003 | See Source »

...addition, her teaching invitations to professional dancers such as Berdo have given Harvard students an opportunity to pursue dance on a more serious level...

Author: By William M. Rasmussen, CRIMSON STAFF WRITER | Title: Dance Director To Stay On | 12/5/2002 | See Source »

...Kyra Strasberg provides a well-executed counterpoint to Suarez's studied coolness in her emotive portrayal of Caesar's spurned wife, Calpurnia. Laszlo Berdo's Caesar remians stoic throughout the first act, which makes Cleopatra's seduction of him all the more impressive...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Dance Like an Egyptian | 5/12/2000 | See Source »

...real strength of the performance, however, lies in the male dancers. Laszlo Berdo's Caesar is powerful and stoic, and Yury Yanowsky's Marc Antony produced audible gasps from the audience. Stevenson's choreography provides ample room for these two dancers, as well as the male members of the corps de ballet, to exhibit their considerable talent. The highlight of the ballet comes when the dancers celebrate the arrival of Cleopatra in Rome, and the male dancers achieve a balance of athleticism and lyricism that is truly remarkable...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Dance Like an Egyptian | 5/12/2000 | See Source »

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