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...Windsor Castle in 1930 dropped in the hands of 27-year-old Kenneth Clark the job of cataloguing the King's collection of Leonardo da Vinci drawings, a rich artistic province was bestowed on an obscure subaltern. Clark's qualifications consisted mainly in the esteem of Critic Bernard Berenson (TIME, April 10) and two years of work with him in Florence. But with the job went a sure succession of official honors for tall, personable, athletic Kenneth Clark, and publication of the catalogue made him in due time the foremost modern authority on Leonardo da Vinci. Fortnight ago in London...

Author: /time Magazine | Title: Arts: Light in Los Angeles | 9/11/1939 | See Source »

...time limit of 48 hours was set for acceptance. When Lawrence Berenson, representative of American Jewish relief organizations, made counterproposals, the Cubans broke off negotiations. Then the original Cuban offer was accepted but it was too late. The Cubans, who felt that in receiving 5,000 German-Jewish refugees they had already done more than their share, declared the matter "definitely closed," refused to listen to further pleas. A young Jewess who crashed an official reception to appeal to President Laredo Bru on behalf of her parents on the St. Louis was hustled off by aides...

Author: /time Magazine | Title: Foreign News: Freight | 6/19/1939 | See Source »

...week Manhattan's rich M. Knoedler & Co. presented "Classics of the Nude"-31 pictures from Pollaiuolo to Picasso. This was a good idea. The linear play and complex modeling of the human body, the textures, transparencies and color subtleties of the skin, have made nude painting what Bernard Berenson called "the most absorbing problem of classic art." To do the subject justice an exhibition would have to include several items not visible at Knoedler's. Among them: 1) a nude by Giorgione, Titian's great Venetian contemporary; 2) an example of the mighty figure painting of Michelangelo...

Author: /time Magazine | Title: Art: CLASSIC NUDITY | 4/17/1939 | See Source »

...Oxford Bernard Berenson met Trivialist Logan Pearsall Smith and his sister, Mary Logan Smith Costelloe, whom he later married. In Italy he found the land and the loveliness he had been looking for. He supported himself in Florence by taking tourists through art galleries at one lira per head, in mortal terror of being knifed by one of the local guides. In 1894 Berenson published Venetian Painters of the Renaissance, the first of four compact little books each of which furnished a Baedeker guide to principal masterworks and graceful, serious essays in handily numbered paragraphs on the artists of each...

Author: /time Magazine | Title: Art: B. B. | 4/10/1939 | See Source »

Cloistered in his 40 acres of cypress, fir and formal garden, with the delicate profile of the Apennines behind and the valley of the Arno below, Bernard Berenson applied his gifts of lucidity and feeling to the unsolved problems of Italian art. One of his earliest and most famous feats was the creation of a hypothetical Florentine artist, Amico di Sandro (Friend of Botticelli) to account for various pictures then attributed to Pollaiuolo, Filippo Lippi, Botticelli and others. Rich dealers and collectors sought the advice of "B. B." on doubtful pictures. They paid him well for it-so well that...

Author: /time Magazine | Title: Art: B. B. | 4/10/1939 | See Source »

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