Word: berg
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Dates: during 1950-1959
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...nights a week, shapely, 36-year-old Lydia Lova takes her third-from-the-left place in Paris' famed Folies-Bergère chorus line, prances onstage dressed in not much more than a few sequins, a plume, and her smile. Unknown to most Folies patrons, Lydia Lova is in reality 2nd Lieut. Lydia Danuta de Lipski, one of France's greatest Resistance fighters. Last week the French government prepared to add the Legion of Honor medal to the Croix de guerre with bronze star awarded her by General Charles de Gaulle...
...white tie and tails play a 1737 Guarneri del GesÙ violin. In that time Virtuoso Isaac Stern, backed by the New York Philharmonic, worked his way through three separate concertos (Bach's Brandenburg Concerto No. 5, Brahms's Concerto for Violin and Cello, Alban Berg's Violin Concerto), giving each of them the luminous tone and the warmly lyric sentiment that are his specialties...
Clear hit of the evening was Berg's difficult twelve-tone piece, last played in Manhattan ten years ago. Moved by the death of the 18-year-old daughter of a close friend, Composer Berg interrupted work on his opera Lulu to write the concerto in the summer of 1935, died before he could hear it performed. A tenderly elegiac work, it spreads a filigreed web of wispy lyric phrases, works up to a climax drawn from a phrase of a Lutheran hymn (Es ist genug), ends with the violin soaring softly above the fading orchestra. Last week...
...MUSIC OF TODAY with Andrew Schenck. Part One of a musical analysis of Alban Berg's Wozzeck...
...down overheard phrases and sentences in approximate musical notation. The result is that the orchestra becomes part of the drama. In last week's performance (which marked the U.S. debut of opulent-voiced Dutch Soprano Gré Brouwenstijn) Jenufa proved to be as haunting a work as Alban Berg's Wozzek (TIME, March 16). From its ominous opening xylophone solo to the final burst of harp-punctuated melody, the village tragedy unfolded without the benefit of set pieces, ensembles or arias. Heavily percussioned, the orchestra sometimes sank to a rich, nervous whisper flickering through the strings, sometimes burst...