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...orchestra, heavy on brass and percussion (including steel drums). Stylistically he is what might be called a postserialist. Having explored the twelve-tone system in earlier compositions, he now works in a freely eclectic vein, yielding at times to the "tonal nostalgia" that Robert Craft pointed out in Alban Berg's music, at other times borrowing the jazzy strains of theater music. At Aspen, his pounding rhythms generated a powerful momentum and his thickly massed sonoraties built to sharp climaxes, especially in the big choral scenes. His solo vocal passages and more lyrical moments, however, seemed to lack...

Author: /time Magazine | Title: Music: Houdini: The Riddle Remains | 8/13/1979 | See Source »

...Berg's masterpiece is done justice in Santa...

Author: /time Magazine | Title: Music: Lulu Arrives in Full Dress | 8/13/1979 | See Source »

When the Paris Opéra presented the world premiere of Alban Berg's complete Lulu in February, one of the masterpieces of 20th century opera stood revealed at last. Or did it? Berg left the orchestration of the third and final act unfinished at his death in 1935. For years the work had to be performed in truncated form. In Paris, Conductor Pierre Boulez unveiled the full score as completed by Viennese Composer Friedrich Cerha. But Director Patrice Chéreau's eccentric staging reflected as much Chéreau as Berg, and many of the composer...

Author: /time Magazine | Title: Music: Lulu Arrives in Full Dress | 8/13/1979 | See Source »

Director Peter Sellars chose to combine two Wedekind plays--Earth Spirit and Pandora's Box--that were treated in Berg's opera Lulu. Wedekind, writing in the late 19th century, deliberately set out to shock and horrify the conventional polite society of his time. Some of the melodramatic trappings of his play stem from his desire to force members of what he saw as a stuffy and hypocritical society to recognize the sex, passion and greed that lay at the foundation of their relationships. In Lulu, Wedekind describes the rise and fall of a peculiarly passionless beauty who works herself...

Author: By Susan D. Chira, | Title: Clever But Cold | 7/24/1979 | See Source »

...them: General Foods' James Ferguson, Southern Pacific's Benjamin Biaggini, H&R Block's Henry Bloch, Union Oil's Fred Hartley, Citicorp's Walter Wriston, Quaker Oats' Robert Stuart Jr., FMC Corp.'s Robert Malott, Borg-Warner's James F. Berg, Broyhill Furniture's Paul Broyhill, Textron's Joseph Collinson. Add to them presidents (Boeing Commercial Airplane's E.H. Boullioun, Occidental Petroleum's Joseph Baird) and former chief executives (AT&T's John deButts, Marriott's J. Willard Marriott, Texas Instruments' J. Erik Jonsson, General...

Author: /time Magazine | Title: Executive View: The Managers' Favorite Candidate | 7/16/1979 | See Source »

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