Word: berge
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Dates: during 1980-1989
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...have lived long enough to luxuriate in their own revival. The acknowledged master of art deco in the 1920s and '30s, he created exuberantly fanciful costumes in his Paris studio for Anna Pavlova, Mrs. William Randolph Hearst and Josephine Baker. The sets he designed for the Folies-Bergère and the Ziegfeld Follies were backdrops for the extravagances of the age. In the postwar era, however, Erté's conceits were often dismissed as high camp or low kitsch. Undeterred, he kept on painting the Erté woman, who is the focus of most of his grand...
What else lies in store? Berg's Wozzeck, perhaps. A demanding performer who turned down a request by Herbert von Karajan to sing Beckmesser because he disagreed with Karajan's concept, Prey is currently mulling a couple of offers to sing the foremost 20th century antihero. He plans to ignore the tradition of croaking and barking the role that has evolved since the challenging opera's premiere in 1925. "Berg wanted a beautiful voice," says Prey. "I want to sing every note as it is written...
...riotous Paris premiere of Stravinsky's The Rite of Spring in 1913? The hostile demonstration in Vienna that prevented the first performance of two of Alban Berg's Altenberg Lieder a couple of months earlier? The disruptive reception accorded Verdi's La Traviata or Puccini's Madama Butterfly...
...throwback to the elegance of the Russia whence he came, Erte has been for eight decades both a witness to and an influence on the style and tone of the 20th century. The designer for the Folies-Bergère, the Ziegfeld Follies, George White's Scandals and the illustrator of every Harper's Bazaar cover from 1915 to 1936, Erte continues today to work in his Paris home, creating his fine-lined, Beardsley-esque drawings; only last June, Der Rosenkavalier, featuring his sets and costumes, was performed at England's Glyndebourne Opera Festival...
...first like a rather odd combination. Most will reply that they came to Harvard to get the education, but for anyone serious about turning professional, history does not seem to justify their choice. Lou Gehrig, many like to point out, went to Columbia: some even take pride that Moe Berg went to Yale...