Word: berge
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...movement to a rondo finale. He uses a 12-tone row, both forwards and backwards, but the piece is still easier to follow by ear than most serial works. Cordero's orchestration is so skillful that even the rambunctious finale never swamps the solo violin. Like its famous Alban Berg predecessor of 1936, this work is a rare masterpiece among serial violin concertos...
...Berg, Lulu (Deutsche Grammophon, 4 LPs, 1979). With the completion of the third act by Friedrich Cerha, a masterpiece of 20th century opera stands fully revealed at last...
Compared with Webern, his fellow revolutionaries Schoenberg and Berg were vestigial romantics. They used Schoenberg's twelve-tone system to rework the old, large-scale forms of Wagner and Brahms. Webern used it to abolish those forms, along with the entire principle of elaboration and climax. He let his three-or four-note motives suggest their own, rather static structural implications through intricate counterpoint and variation-not development. ''Once stated,'' he said, ''the theme expresses all it has to say.'' By relating everything else to that theme, he attempted to achieve...
...pensato, a note so subtle that the per former only thought of it. His conductor's scores were meticulously diagrammed in various colors-road maps, as Robert Craft said, to perfect performances. But the price of perfection could be too high. In 1936, preparing the posthumous premiere of Berg's Violin Concerto, Webern covered only eight bars in two rehearsals. He had to withdraw in favor of a less exacting conductor...
...orchestration of some Schubert dances-a gesture of homage that was not unusual for him. What passed for classicism in his own day, he wrote in one of the letters quoted by the Moldenhauers, ''emulates the style without knowing its meaning . . . whereas I (and Schoenberg and Berg) endeavor to fulfill this meaning-and it remains eternally the same-through our means.'' Webern's meaning may still elude us. But the pure aesthetic integrity of his means continues to beckon us to the heights...