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...tonality, composers have been faced with the problem of choosing a style from a large and exceedingly miscellaneous group of alternatives. These days composers can pick from a selection that ranges from modified romanticism (Poulenc) or modified Puccini (Menotti) through Stravinsky's neo-classic manner to Schoenberg or Berg or exotic explorers like Varese. Of course, a composer can scramble two, or three, or ten of these together and arrive at something unrecognizable enough to prompt the conscientious newspaper reviewer to style him "a distinctly original voice." This is not a satisfactory solution for many composers, who frequently suffer bewilderment...

Author: By Edgar Murray, | Title: Revolution in New Music: Webern and Beyond | 3/20/1959 | See Source »

...Boildieu: Overture to Caliph of Baghdad (D);-Berg, Quartet Opus #3 (C); Bach: Saint John Passion, (Vx) Schubert: Quartet...

Author: NO WRITER ATTRIBUTED | Title: WHRB Program Guide | 3/18/1959 | See Source »

Manhattan's Victorian, red-and-gilt Metropolitan Opera House was transformed one night last week into a nightmarish, shriekingly demented world of sight and sound. The occasion: the Met's long overdue production of Wozzeck, by the late, famed atonalist, Alban Berg. It was one of the great nights in Met history...

Author: /time Magazine | Title: Music: Wozzeck at the Met | 3/16/1959 | See Source »

...wonder of this sordid and symbolic tale is that it is suffused with compassion, heightened by the remarkable music Alban Berg wrote for it. The score, set in the tilted frame of nontonality, is carefully cast in a variety of classical musical forms: suite, passacaglia, sonata, fanatasie and fugue; scherzo, etc. The huge (113 instruments) orchestra sometimes bellows in brassy rages, sometimes shrieks in lines of shrill angularity, sometimes surprises with passages of softly breathing lyricism. The stark horror of the murder is conveyed in a howling, brassy crescendo in the orchestra that gives way abruptly to the tinselly tinkle...

Author: /time Magazine | Title: Music: Wozzeck at the Met | 3/16/1959 | See Source »

...phosphorescently glowing landscape dominated by a blood-red moon and lumpish, Van Gogh-like stumps of trees; a solidly bourgeois German hill town, contrasting with the madness unfolding before it. Hero of the evening: Conductor Karl Boehm, who, after an unprecedented 24 rehearsals, led his huge orchestra through Berg's convoluted score with masterful clarity and passion...

Author: /time Magazine | Title: Music: Wozzeck at the Met | 3/16/1959 | See Source »

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