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Word: bergerac (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Seaver will continue as director of the new dramatic series, according to present plans, Doane stated. Last night's production, an adaptation of Cyrano de Bergerac, the type of feature for which the studio was originally intended when construction began, he added...

Author: NO WRITER ATTRIBUTED | Title: WHRB Launches Series Replacing Drama Workshop | 11/9/1949 | See Source »

...series will start Oct. 1 with Cyrano de Bergerac, starring Walter Hampden. At the close of the program a voice will ask: "How can we make sense out of this confused and troubled world? . . The place to begin is with ourselves." The voice, referring to "Cyrano's lifelong, self-denying love for Roxane," says that Cyrano made sense out of his existence "not by crying out in bitterness over his physical ugliness . . . [but] by making something out of himself." Listeners are told that it will be easier to win the battle with themselves if they have a church...

Author: /time Magazine | Title: Religion: Spiritual Foundations | 9/27/1948 | See Source »

Married. José Ferrer, 36, actor-producer (Othello, Cyrano de Bergerac); and Phyllis Hill, 27, blonde Broadway actress (Angel Street, Cyrano de Bergerac); four days after his Mexican divorce from blonde Broadway Actress Uta Hagen (Angel Street, Othello) ; she for the first time, he for the second; in Greenwich, Conn...

Author: /time Magazine | Title: Milestones, Jun. 28, 1948 | 6/28/1948 | See Source »

Bedroom Eyes. At 32, Edward George Arcaro looks like a cross between a sleepy Mexican vaquero and Cyrano de Bergerac. He is Italian by descent, Ohioan by birth. His face is thin and olive-complexioned, falling away on all sides from his celebrated nose. (Pretty, blonde Mrs. Arcaro sees beyond the end of his nose, thinks the most striking thing about his face are his "big, brown bedroom eyes...

Author: /time Magazine | Title: Cover: Man on a Horse | 5/17/1948 | See Source »

...black overcoat and brown woolen muffler, as if trying to withdraw into himself before the winds of winter and discontent that wailed about him. His black Homburg, tipped far over his pale blue eyes, almost scraped his nose, perhaps the most remarkable French nose since Cyrano de Bergerac's-a long, melancholy nose whose moody descent ended in a surprising and somewhat rakish twist, thus expressing both resignation and defiance to the world's all-embracing sadness...

Author: /time Magazine | Title: FRANCE: The Art of Sinking | 3/1/1948 | See Source »

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