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VERY BAD THINGS Starring Jon Favreau, Christian Slater, Cameron Diaz Directed by Peter Berg Polygram Films...

Author: By John T. Meier, CONTRIBUTING WRITER | Title: VERY BAD MOVIE | 12/4/1998 | See Source »

...quite mesh, scenes of physical violence and moments when the superficial horror turns out to conceal nothing besides yet more superficiality. And blood. Blood, limbs and gore, in all of their nauseating variations. Here is where Very Bad Things shows itself to be neither "dark" nor "comedy." Somehow Peter Berg, the director, has decided that because the severing of an ear can be a scene at once terrifying and hilarious in Reservoir Dogs, then any scene of dismemberment is terrifying and hilarious. Dismemberment, per se, is neither, as Very Bad Things shows us again and again. This movie is somehow...

Author: By John T. Meier, CONTRIBUTING WRITER | Title: VERY BAD MOVIE | 12/4/1998 | See Source »

Week after week, the sanctity of human life, the moral niceties of medical ethics, the nobility of self-sacrifice. After all that tenderness, it's easy to see why bright young Peter Berg, one of the Chicago Hope ensemble, would want to try a little purgative transgressiveness...

Author: /time Magazine | Title: Cinema: Fatal Flaws | 11/30/1998 | See Source »

Within the chicly amoral terms Berg sets--and brutally enforces--Diaz is curiously believable. So is the way in which stunned calm (we're going to get away with this thing) and hysteria (no, we're not) alternate among the well-played accidental criminals. We do find points of identification with them. And heaven knows, some of us are fed up to the teeth with movies glossily restating humane sentiments. Finally, though, Berg's relentless, youthfully enthusiastic assault on conventional pieties grows tiresome. And we begin to choke on laughter that was from the outset pretty dubious...

Author: /time Magazine | Title: Cinema: Fatal Flaws | 11/30/1998 | See Source »

...second half of the program, mezzo-soprano Paula Rasmussen, tenor Richard Clemont and bass Nathan Berg joined Christine Brewer along with the Handel and Haydn Society Chorus. The work, Beethoven's Mass in C, was definitely the highlight of the evening. Written in 1807 on a commission from Prince Nikolaus Esterhazy II, this was Beethoven's first setting of the Mass, and was a complete failure in the prince's eyes. Perhaps he did not appreciate Beethoven's extensive text painting (creating musical pictures of the text), and his application of personal feelings to the various parts of the mass...

Author: By Chad B. Denton, CONTRIBUTING WRITER | Title: Period Beethoven Program Charms All | 10/23/1998 | See Source »

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