Word: bergman
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Dates: during 2000-2009
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...BERGMAN GENERATION...
...good quarter century - beginning with his burst into world movie prominence in the '50s and extending until his official "retirement" after making Fanny and Alexander in 1982 - Bergman defined serious cinema. He earned consecutive Academy Awards for best foreign film in 1961 (The Virgin Spring) and 1962 (Through a Glass Darkly), another in 1984 (Fanny and Alexander). Three times, he was Oscar-nominated for best director (Cries and Whispers, Face to Face, Fanny and Alexander); five times, as author of the best original screenplay (Wild Strawberries, Through a Glass Darkly, Cries and Whispers, Autumn Sonata and Fanny). The Academy also...
...time, the foreign films that made an impact with the cognoscenti were mainly from France, Italy and Japan. Bergman, though, was a one-man film movement; his instant eminence created a cottage industry of Bergmania. Janus Films, with U.S. rights to most of his pictures, ran Ingmar Bergman festivals in theaters around the country. Full-length studies of his work appeared in English, French, Swedish. In 1960 Simon & Schuster published a book of four of his screenplays (Smiles of a Summer Night, The Seventh Seal, Wild Strawberries, The Magician). For a generation of budding cinephiles, that settled it. Film...
...They certainly launched a generation of film critics, this one included. Dozens of us have the same story of teenage revelation: of seeing a Bergman movie, usually The Seventh Seal, and saying, "This is what I want to study, devote my life to." Here, we saw, was no mere director, collaborating on scripts with other writers, but a full-service auteur. Except for The Virgin Spring, written by Ulla Isaksson, and The Magic Flute, a faithful rendition of the Mozart opera, all of Bergman's most famous film stories sprang from his own fertile, febrile brain - from childhood memories...
...comedy The Magician); with his studies of sexual alienation (The Silence), his inside investigations of minds tumbling into madness (Through a Glass Darkly) or muteness (Persona); with his trips into the poignant past (Wild Strawberries); especially with his long battle with God, to which he devoted an entire trilogy. Bergman made anguish sexy, emotional neediness a turn-on. We had no reservation in naming him the world's greatest filmmaker...