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Dewitt finds a delightful Bogart duo at the Brattle. CASABLANCA is a love vs. war flick with Bogart saying a lot of meaninglessly cool things to Ingrid Bergman--whose love handle are not featured in the film. Anyway, war wins out the end, proving that, given the alternative of bedding down with a gorgeous Swede and playing around with a rickety old plane, men almost always prefer machines to blondes...

Author: NO WRITER ATTRIBUTED | Title: You Can't Fool Mother Nature | 11/14/1985 | See Source »

Scholarly cinema fans should rewind their Bergman and Eisenstein and grab ahold of some textual analysis of this year's crop of TSFs. BETTER OFF DEAD (Sack Charles) is truly a watershed TSF, a self-referential picture that turns the genre on its head like nothing since David Smith. Students of pretentious but largely irrelevant allusions remember that David Smith made his sculpture by piecing together already recognizable objects and proved that sculpture needed to be no more than the sum of its pre-formed parts. Likewise, Better Off Dead tosses on the screen a collection of objets trouves from...

Author: NO WRITER ATTRIBUTED | Title: Scenes of Teens | 10/17/1985 | See Source »

Gaslight comes complete with an Academy Award-winning performance by Ingrid Bergman, a wonderfully oily turn by Charles Boyer, and Angela Lansbury as a teenager in an early role. Bergman is haunting as a naive young maid who is duped by primo sleazebag Boyer, who wants to steal her family jewels. The ending is so trite and stylized that one half expects a knight in shining armor to stride up the stairs of Bergman's London townhouse. But this is mere Kabuki '40s style, so just lap up Bergman, who hits some real highs during her (and our) two-hour...

Author: NO WRITER ATTRIBUTED | Title: Scenes of Teens | 10/17/1985 | See Source »

...more recent films; the copy is rougher and darker in the comic nightmare Gremlins, a bit crumpled and smudged in the fun-house frenzy of The Goonies. But the films' very limitations are identity badges on a body of work as personal, even as obsessive, as that of Ingmar Bergman, David Lean or any other monarch of cinema academe. Spielberg the director is supposed to be a movie machine, and if that is so, fine. We need more artisans with his acute eye and gift for camera placement and movement, lighting, editing and the care and feeding of actors...

Author: /time Magazine | Title: Show Business: I Dream for a Living | 7/15/1985 | See Source »

...stage and screen (Dangerous Moves), autobiographer (Choices) and emissary for unicef; and Donald L. Saunders, 50, Boston real estate broker; at her summer retreat near Sandefjord, on Norway's south coast. It will be the second marriage for Ullmann, who also had a long relationship with Swedish Filmmaker Ingmar Bergman, the father of her daughter Linn...

Author: /time Magazine | Title: Milestones: Jul. 8, 1985 | 7/8/1985 | See Source »

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