Word: bergman
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...part in Exxon's decision. After U.S. Navy planes shot down two Libyan jets over the Mediterranean last summer, the State Department sent a letter to American oil companies calling for their cooperation with the Administration's efforts to cut off U.S. relations with Gaddafi. Says Elihu Bergman, executive director of Americans for Energy Independence: "I'm sure that some jawboning took place between the Administration and Exxon." While the State Department took no credit for Exxon's move, one pleased official said that it would "deal a blow to Libya" and was "clearly in line...
...film of potential consequence begins with a dream, an idea-at least an angle. But the intent of Peter Bogdanovich's new film remains one of the year's more dispiriting mysteries. Perhaps he had in mind a country-music remake of Ingmar Bergman's Smiles of a Summer Night:eight characters play a romantic roundelay during a week in Manhattan. Maybe he wanted to reunite the galvanic stars of Sidney Sheldon's Bloodline: Ben Gazzara and Audrey Hepburn play the most prominent pair of lovers. Or did the director of The Last Picture Show...
...nebbish as an artist. Play it Again Sam is probably his best effort of the bright red period. In this latter day Casablanca scenario, Allen is a movie-going Prufrock who longs to be Bogie. Diane Keaton plays her patented delectable goof role, and cuts an unlikely Ingrid Bergman figure. You must love a movie with lines like...
...compelling was she as a Catholic nun in The Bells of St. Mary's that for years after, Ingrid Bergman, 66, received letters from mothers whose daughters had chosen convent life after seeing the 1945 film. Opposite Humphrey Bogart in the 1943 classic Casablanca, she captured a million men's hearts as the sublime image of bittersweet love. Goodness knows what effect the actress's portrayal of Golda Meir will have on young Israeli women-or old Israeli politicians for that matter. Coaxed out of retirement to play the late Israeli leader in the Operation Prime Time...
...Stewardesses, in which the actors attempted to achieve the illusion of objects flying from the screen by swaying like pendulums. This was followed by Whispers of the Wolf ("Boy, sounds really scary, eh, kids!" howled the Count), which turned out to be an essay in abject despair by Ingmar Bergman, complete with a dwarf, camera compositions like geometry proofs and racked dialogue like "Life makes me vomit" - all of it rendered in subtitles that were almost obscured by dirt in the corner of the projector...