Word: bergman
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HEDDA GABLER (CBS, 9:30-11 p.m.). Ibsen's play, with Ingrid Bergman, Sir Michael Redgrave, Sir Ralph Richardson and Trevor Howard...
Since he is adept in French, Italian, German and Spanish ("and I'm beginning to understand Swedish after seeing 20 Bergman films"), he rarely has to read subtitles on foreign films-except to criticize the accuracy of the translation. For this week's cover story he had the reporting of TIME correspondents in practically every city where films are made to supplement his own critical viewing of virtually every foreign and domestic film of consequence in the past decade. Working with Senior Editor William Forbis, he aimed to produce not only a good story but a sensitive guide...
...made a movie in three years, but when Ingrid Bergman, 46, appeared in Rome for the first day's shooting of The Lady's Vengeance, it was clear that time must have a stop. Radiant and regal in a white Bangkok-silk suit, she was playing the richest woman in the world and even celeb-weary Italians were starstruck. Every one cheered delightedly a few days later when Ingrid, her Co-Star Anthony Quinn and Bette Davis-all two-time Oscar winners-were awarded Italy's own palm, the Silver Mask award, for exceptional contributions...
...been achieved by movies from abroad, by an array of vigorous and original creators who live and work in every quarter of the globe. At the heart of the new movement is a hardy little band of inspired pioneers: Japan's Akira Kurosawa (Rashomon); Sweden's Ingmar Bergman (Wild Strawberries); France's Alain Resnais (Hiroshima, Man Amour) and Francois Truffaut (The 400 Blows); Italy's Federico Fellini (La Dolce Vita), Michelangelo Antonioni (L'Avventura) and Luchino Visconti (Rocco and His Brothers); England's Tony Richardson (Look Back in Anger); Poland's Andrzej Wajda...
...Human Voice (Caedmon; $5.95), with Ingrid Bergman, is a brilliant one-woman tour de force written by Jean Cocteau and originally released in 1960. The woman is alone, talking to her lover on the phone. He is about to marry someone else and she is desolate. Intimate, anguished, yearning, tender, this is a portrait of a woman desperately trying to breathe life into a dead love. As one critic put it, "Had the piece been played in the barren Sahara, the dunes would have moved closer to listen...