Word: bergmanic
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Dates: during 1970-1979
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...time the movie is over, Dylan has amply demonstrated his contempt for a moviegoing audience. He borrows conceits from Bergman and Bunuel to show off his superficial knowledge of art-house movies. He strives for incoherence in the belief that pointless ambiguity can pass for an avant-garde aesthetic. He tries to arrive at dramatic truth by letting fuzzy conversations drag on interminably...
...Ingmar Bergman, Swedish film director: "I'm not a writer. I'm just someone who writes plays and scripts for a single purpose -to serve as skeletons awaiting flesh and sinew...
This is not the sort of creativity one expects to find preoccupying an austere and sober artist like Ingmar Bergman. Yet it must be said that his liveliest attentions in The Serpent's Egg are lavished on the marvelous Berlin city block, circa 1923, that Producer Dino De Laurentiis provided him for this picture. The thing comes complete with a real working streetcar, which the director sets to clanging at every possible opportunity. When he is not busy with that, he is filling his street with crowds in all kinds of moods, showing it at all times...
Nevertheless, The Serpent's Egg is really quite a bad film. Bergman wishes to explore the roots of Nazism-"the al ready perfect reptile" that could be discerned, as one of the characters says, in the egg to which the title refers. And so once again the audience is treated to views of Germany in the early '20s-inflation rampant, democracy feeble, sex decadent, anti-Semitism emergent, National Socialist bullyboys beginning to feel their oats...
...very stale stuff, and, sadly, Bergman makes no more of it than the musical Cabaret did. It all comes out more picturesque than terrifying. Bergman, too, shows the developing monster through the eyes of an innocent, though this one lacks the lively intelligence of the young man in Cabaret. Bergman calls his hero Abel (David Carradine). He is an American circus performer of Jewish descent, stranded in Berlin because his brother and partner has hurt his arm and they cannot continue their trapeze act. The picture opens with Abel discovering the brother's suicide. This places him under police...