Search Details

Word: bergmans (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...THURSDAY NIGHT MOVIES (CBS, 9-11 p.m.). Ingrid Bergman, Yves Montand and Tony Perkins form the lovers' triangle in Goodbye Again (1961), based on a novel by Francoise Sagan...

Author: /time Magazine | Title: Television: Mar. 22, 1968 | 3/22/1968 | See Source »

...Rudd, Herbert, Constructor wkr. 316 864 252 1740 Schwartz, Stuart, Staff eng. 464 1152 290 638 Smith, Ellen, Cashier 284 1680 156 1450 Stewart, Robert, Student 293 880 208 769 Tracey, William, Self-employed 336 1760 285 1044 Viens, Dean, Student 317 1760 290 1044 Bergman, David, Student 545 1824 522 1856 Burrowes, Susan, Social worker 600 1250 522 1015 Babb, Joane, Teacher 317 1790 252 2021 Bowler, William, Student 268 1240 232 1000 Clark, Joyce, Student 341 2260 275 2000 Casey, Virginia, Typist...

Author: NO WRITER ATTRIBUTED | Title: Meet Joan Stewart, 23 | 3/4/1968 | See Source »

...viewer is more likely to be caught between boredom and sleep. Director Rolf Thiele seems to have been trying to make like Ingmar Bergman, with his period costumes, penumbral lighting, and self-conscious composition of every frame. But style is no substitute for substance. Most of what made the original story compelling-Tonio's long, self-probing speeches to Lisaveta and his conception of the writing man as both artist and bourgeois, free spirit and square-has been so compressed and truncated that it is lost in the snail's-pace atmosphere of the film. The result, unfortunately...

Author: /time Magazine | Title: Cinema: Tonio Kroger | 1/19/1968 | See Source »

SATURDAY NIGHT AT THE MOVIES (NBC, 9-11:45 p.m.). Ingrid Bergman and Gary Cooper in Saratoga Trunk...

Author: /time Magazine | Title: Television: Jan. 12, 1968 | 1/12/1968 | See Source »

...final note. List-making is a capricious process at best, and the selection of the last half is highly subjective. Billion Dollar Brain may be an oasis of craft in a desert of disjointed ill-conceived movies, but I can hardly make an objective case for it over Ingmar Bergman's Persona. An intense and deeply personal statement, Persona, to me, seemed largely an illustration of uncinematic ideas. Therefore, I didn't include it. But this was also the way I felt about Accident, and its selection over Persona simply indicates personal preference for Losey over Bergman. A point...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

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