Word: bergmans
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Dates: during 1960-1969
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...SHAME. Ingmar Bergman examines war and the artistic conscience in his 29th film. The visual imagery is brilliantly desolate, and the performances-by Max von Sydow, Gunnar Björnstrand and Liv Ullman-are perfectly orchestrated...
...SHAME. Ingmar Bergman's 29th film is a tonal allegory involving a nameless war, a broken marriage and existential doubt. The performances by such Bergman regulars as Max von Sydow and Gunnar Bjornstrand are letter-perfect, but Liv Ullman, newest member of the Bergman company, portrays the spectrum of feminine response with special brilliance...
Hour of the Wolf. Ingmar Bergman's best film in a long time poses some weighty questions and has the sense to treat them violently in stark and terrifying images reminiscent of Hitchcock (Bergman's favorite director). If you are interested in current discussions of artistic impotence, the dementia of Bergman's protagonist (Max von Sydow) becomes the film's focal point. I found myself more involved by his wife (Liv Ullman) who, in loving him, tries to share his madness but cannot ultimately follow...
...very pure way, very directly. It is something I have rarely seen." To the National Society of Film Critics in the U.S., she was a brilliant actress in the year's best film, Persona; to international audiences, she is the latest Scandinavian beauty who-like Garbo or Ingrid Bergman or Ingrid Thulin-manages to convey a mind beneath the skin...
Next year, Ullman will star in a non-Bergman film, Jan Troell's two-part The Immigrants and The Emigrants, to be filmed in Sweden, Canada and the U.S. But, though there have been other offers from both European and American film makers, Ullman shows no inclination to be far from her companion. During the making of The Shame, he directed her to move closer to a flaming house. "Burning things were flying over my head," she recalls. "I tried to get a little out of the way from the house. Bergman shouted...