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Word: bergmans (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Peter Cowle, British film critic, will lecture on the Scandanavian film. Its European context, and Bergman's Hour of the Wolf in particular, Tues., LEHMAN HALL...

Author: NO WRITER ATTRIBUTED | Title: esoterica | 11/16/1972 | See Source »

WEST EUROPEAN STUDIES SEMINAR on post-war Scandinavian film presents Torment, written by Ingmar Bergman (his first film), directed by Alf Sjeberg. Thurs., WINTHROP HOUSE DINING HALL, 8 p.m., and Fri., LENMAN HALL...

Author: NO WRITER ATTRIBUTED | Title: the screen | 11/16/1972 | See Source »

...talk about marriage," said Sweden's five-times-married Film Maker Ingmar Bergman to an interviewer. "It's utterly uninteresting, whereas the relationship between a man and a woman is always interesting." With a six-part TV series on marriage newly filmed, Bergman had his share of deep Nordic thoughts to expound: "A life relationship between a man and a woman has always resulted in their signing a contract entirely to the advantage of the man...because men, damn it, want to hang on to their privileges. The fantastic thing is that women haven't managed...

Author: /time Magazine | Title: People, Nov. 13, 1972 | 11/13/1972 | See Source »

Wild Strawberries. Bergman's land-mark film, and Rules of the Game, Jean Renoir's one undisputed masterpiece, have been placed together on a double-bill during the Harvard Square Theater's Janus Film Festival. I can't think of a better evening of film. Bergman's work marked that director's broadest progression away from both adolescent psychological drama and baroque imagery, towards a mature acceptance of emotional struggle and transformation, and a pure film style based on character. Dealing with an aging doctor's recognition of his sins during a trip to Stockholm taken with his daughter...

Author: NO WRITER ATTRIBUTED | Title: the screen | 11/9/1972 | See Source »

...artistry and the works of the better Italian neo-realists. Troell's people move with the same apparent integrity as any in Devt or Open City. All that occasionally mars our complete perception of their actions is Erik Nordgren's music, which bears intrusive lingerings from his Bergman films, and lacks the robust tone which Troell's subject requires: and American studio cutting in the travel sequences...

Author: By Michael Sragow, | Title: "Get Thee to a Land That I Will Show Thee" | 10/24/1972 | See Source »

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