Word: bergmans
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Dates: during 1970-1979
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...paired with Juliet of the Spirits Felinis unsuccessful attempt to do for a frustrated house wife what 8 1/2 did for a castrated male artist leading as well into the garish technique of his. Satyricon phantasmagoria which plays Saturday doubled thank God. With one of the all time greats. Bergman's Passion of Anna the culmination of two decades of cinematic experiment, psychological examination and religious questioning. The only people who don't admire it are certain radical film critics who consider Bergman an "elitist." Sunday, it's back to staidsville, with the weepy Elvira Madigan and the better...
...served as his own editor. No one could quarrel with his credentials in either role. Since childhood he has been a committed fan and sometime practitioner of the performing arts. "When I was a moviegoing youth," he recalls, "I think I would have been willing to die for Ingrid Bergman." At Yale, Porterfield composed, arranged and conducted the music for his own jazz groups. His fickle affections, meanwhile, shifted from Bergman to the Broadway stars who appeared in New Haven tryouts. He and his roommate, Dick Cavett, frequently got backstage at the Shubert Theater to stargaze at close range...
Pope Joan is excellently photo graphed by Billy Williams (Women in Love, Sunday Bloody Sunday) and contains a valiant English-speaking debut by Miss Ullmann, who in the films of Ingmar Bergman has established herself as an actress who must be called great. It is a reputation that may not survive many more movies like this...
...dream you can walk into any time you want to," gushes one of the Columbia Pictures secretaries who spend their lunch hours or coffee breaks on the set trying to catch glimpses of a cast that includes Charles Boyer, John Gielgud, Peter Finch, Sally Kellerman and Liv Ullman, Ingmar Bergman's most famous female star...
Shame. One of Bergman's glories, a chilling indictment of a passive intellectual's approach to life and death...in wartime. With Hour of the Wolf, a cinematically flashy, intellectually tired rehash of some isn't-an-artist's-life-hell? themes. BRATTLE THEATER. Shame: 6:20, 9:30. Wolf...