Word: bergmans
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Dates: during 1970-1979
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...already written six novels, notably them, which won the National Book Award last year: also a play and a collection of poems). Her women are preoccupied with their identity, their sexuality, their roles, as often manipulators as mercilessly manipulated. Some have the mythic dimensions of the women in Bergman's films or O'Neill's plays; others are enigmatic and fragmented, like Dylan's women in "Blonde on Blonde...
...cathartic, and sets up pure escapism as an ideal. Widerberg, however, in fact emerged in Sweden of the early '60's as a leader of young directors agitating against escapist cinema, for much needed social analysis, and was one of the first to attack the metaphysical hokeyness of Ingmar Bergman. He criticized Bergman's social aloofness and practice of "vertical cinema." in which the select existential few grapple with the narrow prospects of exhalation or degradation. Widerberg sets up an impressionist. ethereal lightness as the direct antithesis to symbolic heaviness and stark religiosity. Bergman's artificial lighting comes almost invariably...
...prolonged visit, waiting for the birth of his grandson. The father is a grizzled old Yankee, and ideas predictably clash with those of his equally non-conformist but distastefully aesthetic daughter and her would-be husband (the couple never marry). In a climax as overwrought as the fruitiest of Bergman-either Ingrid or Ingmar-ex-med student Danny delivers his son without a doctor's aid, while fending off his 'father-in-law's' drunken attempts to break into the delivery-room. Just as the babe sees light, its grandfather brains himself on a lampstand...
...love of man end and the love of God begin? Can an individual's passion be divided between the two without disaster to man or affront to God? Does God demand terrible sacrifice as atonement for an innocent appetite for earthly life? These are questions that Ingmar Bergman has grappled with in many of his 31 bleak, brooding films. In The Act of the Heart, Canadian Producer-Writer-Director Paul Almond tries to explore the same problems, while simultaneously creating a St. Joan-like allegory of a country girl's purity and passion...
...Ivan Turgenev's novella, First Love is the deceptively elemental narrative of an adolescent smitten by his father's mistress. "It is a story unusually lit with affection and nature," says Schell. "I decided only one photographer could really do it-Sven Nykvist, the artist who does Bergman's films. When he agreed I knew the picture would happen, and that it would work." Schell's instinct has proved infallible. Nykvist has filled the film with indelible imagery. The sunlight is a featured player of humor and warmth. Interiors seem to exhale melancholy. Weightless figures hover...