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Many residents mourn the passing of historic homes like Crosby's. Among the homes that have vanished or will soon vanish are those that once belonged to Ray Milland, Jeanette MacDonald, James Coburn and Jack Benny. "We're losing a great deal as a culture," says Alan Bergman of the Los Angeles-based Victorian Register, a real estate agency that specializes in vintage homes. "We're losing our heritage, the tolerance for things that are different...

Author: /time Magazine | Title: Living: Million-Dollar Birthday Cakes | 5/1/1989 | See Source »

...Ingmar Bergman...

Author: NO WRITER ATTRIBUTED | Title: Arts on Campus | 4/7/1989 | See Source »

Nora is one of Bergman's few stage scripts, and this one rewrites Henrik Ibsen's A Doll's House, reducing it to its bare essentials. This weekend's drama explores how people behave in the face of evil and misfortune, yet it also allows such villains as Krogstad to appear more appealing than in the original version. Nora promises to provide an intense evening of entertainment; there is no intermission in this production. Bergman's play, directed by junior Heather Cross, runs this weekend only at the Loeb Experimental Theater...

Author: NO WRITER ATTRIBUTED | Title: Arts on Campus | 4/7/1989 | See Source »

...Mohawk, Midnight, It's a Wonderful World and Zaza) and Mickey Rooney (Huckleberry Finn, Babes in Arms and two movies in his enormously successful Andy Hardy series). Rooney, incidentally, was No. 1 at the box office that year. Greta Garbo laughed, as the ads triumphantly proclaimed, in Ninotchka; Ingrid Bergman made her American debut in Intermezzo; Marlene Dietrich saved her flagging career with Destry Rides Again; the Marx Brothers clowned in At the Circus; and Fred Astaire and Ginger Rogers danced through The Story of Vernon and Irene Castle. Judy Garland, who was all of 16, was in only...

Author: /time Magazine | Title: Show Business: 1939: Twelve Months of Magic | 3/13/1989 | See Source »

Lange only inhabits her films; she doesn't write or direct them. Shepard assumed those two tasks in Far North and distinguished himself in neither. The plot is as old as Antigone, the emotional temperature as wintry as Ingmar Bergman's, the conflict as scabrous as any Eugene O'Neill family flaying. And yet the movie unravels as if it were an anguished parody of Shepard's own play A Lie of the Mind. He lured Lange and a cast of fine actors to Duluth, then stranded them on a back road halfway between Hysteria and Catatonia. Virtually every character...

Author: /time Magazine | Title: Part-Time All-American: FAR NORTH & EVERYBODY'S ALL AMERICAN | 11/7/1988 | See Source »

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