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Josephson says Bergman was directing all over Stockholm in both amateur and professional productions. "I was 15 or 16 and he was 20 or 21. He wanted to be experienced as soon as possible," Josephson says. "And then suddenly, he became the leader of a small theater in the south of Sweden." There the two cemented their friendship and collaboration...

Author: By Ross G. Forman, | Title: Swede Memories | 3/4/1988 | See Source »

Never formally trained in the profession, Josephson says he learned by working with Bergman and others. But because he never went to acting school, he believes that "my technique has never been thoroughly good...

Author: By Ross G. Forman, | Title: Swede Memories | 3/4/1988 | See Source »

Those who have seen him perform might disagree. His performance in Bergman's Scenes from a Marriage and Cries and Whispers and in Tarkovsky's Nostalgia and The Sacrifice have won Josephson universal acclaim in Europe and the United States. And those who have seen him perform in Peter Brook's production of The Cherry Orchard--his American stage debut--know that he is equally powerful on the stage...

Author: By Ross G. Forman, | Title: Swede Memories | 3/4/1988 | See Source »

Much of the credit, according to Josephson goes to Sven Nykvist, a cinematographer whom the actor credits with having a living relationship with the camera. And, says Josephson, when Bergman realized what had happened, the director grew inspired, tailoring his script to bring out the best in Josephson...

Author: By Ross G. Forman, | Title: Swede Memories | 3/4/1988 | See Source »

...working with Bergman is not always easy, Josephson says, calling the director "very controlling, but in a good way." He remembers one scene in Cries and Whispers in which he is fed an omelette by Liv Ullmann, a member of Bergman's troupe who Josepshson thinks is "a sort of genius...

Author: By Ross G. Forman, | Title: Swede Memories | 3/4/1988 | See Source »

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