Word: bergmans
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...Colbert Report has an occasional segment called "Cheating Death," which is introduced by the image of Stephen facing the hooded figure of Death over a chessboard. That's a reference to the 1957 film The Seventh Seal, a medieval morality play written and directed by Ingmar Bergman. Colbert, who switches chess pieces while Death is distracted, parodies the role of a knight (Max von Sydow) who puts his soul on the line to save a few lives during a season of plague...
...Which could be why I liked it. To place a sensitive story in a male-epic genre - to dramatize feelings of angst and personal betrayal worthy of an Ingmar Bergman film, and then to dress them up in gaudy comic-book colors - is to pull off a smartly subversive drag show. With, yes, 25 mins. of fabulous fights. Peter's tussle with Sandman, and his aerial battle with the supersonic skateboarding New Goblin, are plenty snazzy. But anyone can do that; in action movies, everyone has done that. What's better, in a threequel, is rethinking the characters, the franchise...
Director Steve Stockman’s new film, “Two Weeks,” is about as funny as a good joke at a funeral—although witty, the tragedy of the situation prevents true enjoyment. Anita Bergman, played by Sally Field, is a woman dying of ovarian cancer. Her children, as well as the audience, are immediately confronted with the harsh realities of such a terrifying illness. Bergman fits in nicely with the rest of Field’s oeuvre—emotional women on the brink of considerable change. There is no detail omitted...
...akin to the argument that tries to make movies art by defining them as pictures seen on a wall (museum pieces) rather than illustrated stories. Yet Ingmar Bergman and Preston Sturges, to name just two great "directors," are primarily not visual stylists but writers. Similarly, Kurtzman and Spiegelman are remarkable less for their draftsmanship than for conjuring a world and giving it narrative shape, density and bite. You don't see their work so much as you read...
...most imitated voices of this century. Never in the history of movies has a leading lady more quickly overcome her languors in order to get ready for romance. The year was 1958. The film was a comedy called Indiscreet. And by this comparatively late date, neither Ingrid Bergman nor anyone else encountering Cary Grant, onscreen or off, had any alternative to bedazzlement as a response...