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HARVARD-EPWORTH CHURCH will present a series of experimental films--"Menilmontant" by Dmitri Kirznoff (1924), "Rhythmus 21" by Hans Richter, "Symphonic Diagonale" by Victor Eggeling (1924). "Lapis" by James Whitney (63-66), "Quixote" by Bruce Baillie (64-65)--tonight at 7:30 p.m.... Ingmar Bergman's illick Interlude will be shown tonight at 8 p.m. in WINTHROP HOUSE DINING HALL (Part of the West European Studies series on the Scandinavian film...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 10/12/1972 | See Source »

...this is expressed much more acutely in any of Bergman's completely non-dogmatic films about human relationships. We understand the anomie which faces Elis in Passion of Anna as a personal problem. To understand Flis it is important for us to understand his comments on the stupidity and boorishness of the European bourgeoisie. The social comment is penetrating because it arises from a central character's dileruma. Tanner's explicitness cannot begin to approach. Bergman's artistry...

Author: By David R. Caploe, | Title: The Poverty of (Film) Philosophy | 10/12/1972 | See Source »

...Esposito (they chose Henderson and the Rangers' Brad Park) even though he scored two goals and two assists. Yet the slight was mild compared with the puerile and unsportsmanlike behavior that marked much of the series. Soviet team officials demanded that Canadian Coach Harry Sinden order Defenseman Gary Bergman to stop skating past baronial Russian Coach Vsevolod Bobrov during games, on the ground that Bergman was making menacing gestures and lewd comments. In turn, Sinden complained about a Russian player making "crazy-in-the-head gestures" at Assistant Canadian Coach John Ferguson. When a West German referee handed...

Author: /time Magazine | Title: Sport: Ah, Canada! | 10/9/1972 | See Source »

...paired with Juliet of the Spirits Felinis unsuccessful attempt to do for a frustrated house wife what 8 1/2 did for a castrated male artist leading as well into the garish technique of his. Satyricon phantasmagoria which plays Saturday doubled thank God. With one of the all time greats. Bergman's Passion of Anna the culmination of two decades of cinematic experiment, psychological examination and religious questioning. The only people who don't admire it are certain radical film critics who consider Bergman an "elitist." Sunday, it's back to staidsville, with the weepy Elvira Madigan and the better...

Author: NO WRITER ATTRIBUTED | Title: "Film Festivals" | 10/5/1972 | See Source »

...served as his own editor. No one could quarrel with his credentials in either role. Since childhood he has been a committed fan and sometime practitioner of the performing arts. "When I was a moviegoing youth," he recalls, "I think I would have been willing to die for Ingrid Bergman." At Yale, Porterfield composed, arranged and conducted the music for his own jazz groups. His fickle affections, meanwhile, shifted from Bergman to the Broadway stars who appeared in New Haven tryouts. He and his roommate, Dick Cavett, frequently got backstage at the Shubert Theater to stargaze at close range...

Author: /time Magazine | Title: A Letter From The Publisher, Sep. 25, 1972 | 9/25/1972 | See Source »

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