Word: berkow
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...drug deal) which brings them to a bridge in New Jersey to return the phone and collect a reward. Unfortunately, their plans go awry when Donald, who has a medical condition that gives him seizures, has an episode. It is in this way that Donald meets Gaby (Jordan R. Berkow ’03), one of the two people who come to collect the cell phone...
...beginning of the play starts off with a simple height comparison and progresses though pretty silly contests, with plenty of laughs along the way. Berwick and Carmichael play off each other remarkably well, finishing each other's sentences and creating huge verbal fugues. (Kudos to director Jordan R. Berkow on choreographing such a complicated verbal ballet.) Both men are appealing and personable, in spite of their faults and their one-upmanship. But as the play goes on, the verbal spars become far more aggressive as they needle each other about affairs, jobs, and kids...
Jordan R. Berkow...
directed by Jordan Berkow...
...kooky reality in which laughter covers the dark edge upon which the characters teeter. The protagonist, an aspiring musician named Artie, seems real enough at the start with his pathetic late-night gigs, nagging girlfriend, and dishevelled apartment, later called "so Norman Rockwell" by a Hollywood starlet (Jordan Berkow '03). But this rough-edged and familiar American scene transitions when Bananas (Catherine Gowl '02), Artie's mentally sick wife, emerges in her nightgown and lives up to her nickname with animal imitations and childlike babbles. From this moment on, the play's central axis shifts away from Artie to revolve...