Word: berlin
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Dates: during 1960-1969
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...production firm-in which he is a major stockholder-to film the festival for worldwide distribution, and lined up more than 20 radio networks. These tie-ins enabled him to sign such top singers as Jon Vickers and Régine Crespin, and he even persuaded the Berlin senate to let the city's famed Philharmonic make its first appearance in an opera...
...opposition to oppose." It was Dizzy who wrought the Reform Bill of 1867, giving the vote for the first time to large numbers of the emerging industrial class in Britain. He shaped and dramatized the Tory sense of larger world responsibilities. With Bismarck at the Congress of Berlin in 1878, he headed off a potential clash among European powers in the Balkans, creating the Continental peace that lasted until...
...familiar enough. He reviews the industrial resurgence of West Germany. One reads again of the neo-Nazi lunatic fringe, but Elon suggests that a vigilant press and growing democratic values keep the extreme rightists cornered. And there are also the usual set pieces: the Horatian discourse before the Berlin Wall, the discovery of the Germans' compulsive need to be loved, the bloody reappearance of Schmisse (dueling scars) on the Nordic faces of West German Korporationen youth...
...join the Nazi Party. Much good it did him. For all his Frisian peasant conservatism, the Nazis soon called him a "degenerate" modern artist and stripped his works from German museums. In 1941, he was forbidden to sell his art or even to paint. At 73, Nolde retreated from Berlin to his summer home in Seebull, not far from his birthplace on the North Sea coast-but he did not stop painting. To his diary he revealed: "I still hold my head high, and only to you, my little pictures, do I sometimes confide my grief, my torment, my contempt...
...before his death in 1956 at the age of 88, and the rest form a self-sustaining cycle. Some 54 of the watercolors are currently on display at Manhattan's Knoedler gallery (see color opposite). In contrast to Nolde's earlier works, which stress religious subjects or Berlin's raucous cabarets, this rural cycle focuses on ordinary workaday existence, together with a few of the Nordic trolls and hobgoblins native to Schleswig-Holstein. Most of the pictures show pairs and groups of everyday people. Their dress is shapeless, timeless. The light is eerie. Sometimes Nolde painted...