Word: berliner
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Dates: during 1960-1969
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...Apollo achievement-and was clobbered in a fist-swinging, bottle-throwing brawl. In Japan, Emperor Hirohito canceled a botanical outing in the woods to watch TV. In Germany and in Uruguay, police reported a sharp drop in crime while Eagle was resting on the moon. Said a West Berlin police sergeant: "I wish there were moon landings every night...
...stilt-supported houses over the canals of Bangkok or by the azure swimming pools of Beverly Hills, families sat mesmerized before the flickering history unfolding on their television screens. Along London's Piccadilly and Tokyo's Ginza, crowds and traffic thinned as the launch began. In West Berlin, as in South Nyack, N.Y., there was a rare sense of camaraderie. Strangers on the street were united by the universal question: "How are they doing?" It seemed, as Tennyson wrote more than a century ago, "One far-off divine event/To which the whole creation moves...
Immediate Landmark. Born in Berlin in 1883, trained there and in Munich, Gropius was quick to grasp the liberating potentials of fast-developing technology. In 1911, he designed with Adolf Meyer a shoe factory in Alfeld, Germany. Unlike most buildings of the time, which were held up by thick exterior walls, the structure was supported by Bessemer steel interior columns and beams and faced with a breathtakingly thin curtain of glass. It was bold, light, airy-an immediate landmark. Soon after, Gropius produced another tour de force: a machine factory in Cologne whose facade was dominated by a pair...
...award-winning commissions started to come in: the U.S. embassy in Athens, the University of Baghdad, academic buildings for Phillips Academy at Andover, Harvard and Brandeis Universities. At his death, his firm had $315 million worth of work in progress, including a satellite city (named Gropiusstadt) outside Berlin, a vast medical complex in Boston, and the I.B.M. World Trade Center in Teheran...
...disciplined design with which Walter Gropius refashioned architecture Laszlo Moholy-Nagy sought to extend to every visible element in the human environment. The two men had been kindred spirits ever since Gropius visited Moholy's first exhibition in Berlin in 1922, and invited the young Hungarian expatriate to join his staff at the newly formed Bauhaus. Moholy's acceptance sealed a friendship, rooted in a rare meeting of minds, that was to last until his death...