Word: berliner
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Dates: during 1970-1979
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...through Dachau and Auschwitz, the Gulag and the Cambodian holocaust, Vietnam in the 1960's and Vietnam in the late 1970's, the terror in Kampala and the tanks in Prague, they bear witness to the same human reality. The barbed wire in South Africa, Brazil Russia and Chile, Berlin and China is the shadow of the barbed wire that is stretched through our minds. The seed of that darkness is everywhere, and our hope lies in the fragile unfolding of our knowledge of the common roots of human suffering. We cannot afford to forego the illumination of those sources...
Gallant's characters have been in trouble. They are exiles and émigrés, always from the provinces of the heart, often from some place in Europe tossed by convulsions of war or politics. One story follows the sad, late return (1950) to Berlin of a German prisoner of war in France. Another recounts the trials of an Italian servant girl on the Riviera, working for a neurotic English couple just before Mussolini declared war on France...
...musical inserts, the startling shot of an unidentified man pawing a women's breasts in the foreground--and solid performances by other actors, The Marriage of Maria Braun depends for its success upon the all-pervasive influence of Schygulla. The film has already garnered prizes at this year's Berlin Film Festival to her for best actress, and to Fassbinder for best director. One waits to see how it will fare at Cannes. Clearly Schygulla makes the film. For smoking sexuality, humor, and Horatio-Algeresque pluck, this German actress has no parallel. Cybill Shepherd, take note...
...Kennedy Center's venturesome executive director, Martin Feinstein, whose previous imports have included La Scala and West Berlin's Deutsche Oper, the Vienna visit turns out to be the final coup of his tenure. Internal conflicts have led the center's board to redefine Feinstein's status as of Nov. 30, retaining him thereafter only in the less powerful role of director of opera and ballet. The impact of this change on future visits by foreign companies is unclear...
...worked for him in Budapest, in Vienna, in Berlin-each of which he was forced to leave because of either politics or economic conditions just as he was establishing his film career. It worked for him most spectacularly hi London, where, with films like The Private Life of Henry VIII and The Four Feathers, he singlehanded, and almost overnight, turned the moribund British movie industry-and his company, London Films-into an international force in the 1930s. Indeed, about the only place it did not work for him, at least initially, was Hollywood. But that really was not his fault...