Word: berliner
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...Sven Marquart and Sybille Bergemann reflected the atmosphere of decline. Clothes by Allerleirauh used mainly dark colors and lots of leather - a material that was hard to come by in the G.D.R. and that the designers would pick up straight from the manufacturers. Photos on display in the Berlin exhibition show the clothes against a backdrop of old staircases and rundown gray façades, making for a dark fairytale-like mood full of neo-Romantic pathos. "We somehow loved the morbidity of the G.D.R.," filmmaker Wilms recalls. "But it was only the façades that were crumbling...
...happen, their confident motto was "New York is where we are." The young fashion designers in the group created vibrant, often unwearable designs that were the opposite of the official fashion industry's ideal of clothing for the masses. From July 4 to Sept. 13, a new exhibition at Berlin's Museum of Applied Arts called "Free Within Borders" revisits the forgotten fashion scene of the German Democratic Republic (G.D.R.). Using photographs, videos and model dresses, it pays tribute to a subculture that would not accept creative limitations, despite the restrictive society in which it existed. (See pictures of East...
...East Berlin's independent fashion scene reached its artistic climax at the end of the 1980s, when Allerleirauh was putting on spectacular events that had little to do with conventional fashion shows. Visitors to "Free Within Borders" can watch video footage of Allerleirauh's fashion extravaganzas, which - with music composed especially for the shows and special effects including fountains of fire, fake fog and giant human "birds" flying through the air on steel cables - are best described as a mixture of apocalyptic party, theater and performance art. "It was a comment on the downfall of the G.D.R. without really knowing...
...When the Berlin Wall fell in 1989, the Mob fell apart and most of its members went their separate ways. Despite all that creative potential, very few East German designers went on to make it big in reunified Germany. For Wilms, there were several reasons, mainly economic ones. And, he adds, the restraints of the G.D.R. may have helped push the Mob's creativity. "We were so crazy because we felt hemmed in," Wilms says. "I wouldn't even get the idea to dress that way today. A tiger in a cage is wilder than in the wild...
...there are any number. My memory bank is full. Certainly, the first time I heard the Shostakovich violin concerto with [Russian violinist] David Oistrakh at its premiere in 1956 at Carnegie Hall. It was an amazing sound. A high point for me was doing the Freedom Concert in East Berlin, when we did Beethoven's Ninth Symphony on Christmas morning in 1989. The wall was coming down, and Leonard Bernstein changed the German text in the Ode to Joy from "joy" to "freedom." It was a very moving experience. You heard hammers and pickaxes from the concert hall...