Word: berlins
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Dates: during 1920-1929
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Although no aircraft has yet flown from Berlin to Manhattan, German toy makers released last week for the Christmas trade a mimic airplane painted in bright letters BERLIN-NEW YORK...
...Berlin. From 1901 to 1906 the sensation at the Berlin Imperia, Opera was MISS GERALDINE FARRAR AUS NEW YORK. She began as Marguerite in Faust, doing the unheard of thing, singing in Italian in a Berlin house, holding a contract saying that she need not sing in German until she had had time to learn the language. She was 19, sparkling, as she is today. The Kaiser was interested; so was the Crown Prince. The Hofmarshall brought her an invitation to appear at the Palace one night. She must wear black or lavender and gloves, for the court...
...retire at the peak of their career. Still, for five years, Farrar has kept out of the limelight. True there was the concert tour, and an abridged edition of Carmen that toured for a while. But operagoers never lost hope. There have been rumors that she would return to Berlin, that she had already been invited to open the new Metropolitan Opera House. She herself has spoiled the stories.? For her, opera is finished. Henceforth she works in miniature. In opera she played chiefly from her heart, from now on the New England thinking-cap must have harder wear...
...their way to Geneva, the Russian delegation, headed by the garrulous Maxim Litvinoff, stopped off in Berlin to confer with the German delegation while the latter were figuratively packing their suitcases The reason for this rendezvous is pretty well known in European diplomatic circles. It is the intention of these nations to pour coals of fire upon their late and present enemies by being the outstanding espousers of world disarmament at the conference to come. Says M. Litvinoff: "Only 12.7 percent of the Russian budget goes for military enterprises, where-as the other powers, except Germany, spend between 20 percent...
...Midsummer Night's Dream. The U. S., home of the huge, agreed that Max Reinhardt, Austrian, was the master of spectacle when he wove the wonder of The Miracle in 1924. Disapproving this restrictive distinction, he recently closed his Berlin and Vienna theatres, and bundled actors, scenery, costumes, to Manhattan to show his skill at smaller things. His first production was far from small, but it was delicate and true. Perhaps he started on a spacious scale in order to ease great expectations gradually down to subtler things...