Word: berlins
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Dates: during 1950-1959
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...represents an effort to exert a greater influence over the conduct of foreign affairs. The trip to Russia of Senator Humphrey, the remarks of Senator Fulbright both before and since his ascension to the chairmanship of the Foreign Relations Committee, and the speech last week of Senator Mansfield on Berlin are recent examples of their endeavors to shape and influence policy...
Irate Denial. According to some press accounts, the U.S. and Britain could not agree on what to do in the event of a new Berlin blockade. Columnist Joseph Alsop's declaration that the British were reneging on the idea of sending an armored column through to Berlin, even as a last resort, brought British Ambassador to Washington Sir Harold Caccia hustling into the State Department with a hard denial that Britain had done any such thing. Soviet radar jamming devices now all but rule out an easy repetition of the electronics-backed Berlin airlift, but the British feel that...
...Caillé, who, dressed as an Arab, talked of his captivity by the Egyptians, was accepted as a Moslem and was able to make his famed journey safely to Timbuktu. After him other Frenchmen came, and eventually, by the "rules of the game,"*laid down by the Berlin Conference of 1884-85 for spreading civilization throughout darkest Africa, French hegemony over the area was recognized. The "scramble for Africa" was on, and there was little the Africans could do about...
...unyielding on Germany and Berlin. As for the West's new Geneva proposals for international nuclear inspection teams, he said that this meant "organization of a full-scale intelligence network of the Western powers on our territory," but nothing of the kind in Western territories because "we do not have any war aims and do not need to make a reconnaissance of their territory...
German Director Carl Ebert, general manager of West Berlin's Municipal Opera, superbly handled his cast and particularly the Met's often heavy-footed chorus, achieved some stunning, stylized patterns reminiscent of Bayreuth. Highly effective were the glowingly expressionistic sets by German Designer Caspar Neher, but his costumes were merely foolish: mauve, mustard, rose and lavender, suitable for a Todd A-O musical version of the Wars of the Roses. If Designer Neher tried to follow the romantic music by being deliberately unrealistic, he spoiled his effect with just enough realistic touches, as when platoons of soldiers...