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...books, and "Berlinart 1961-1987," the Museum of Modern Art's big summer show that closes Sept. 8 in New York City and reopens Oct. 22 in San Francisco, is one. Its senior curator, Kynaston McShine, took on a large subject, perhaps too large. The re-emergence of Berlin as a major center of the visual arts, after twelve years of Nazi darkness and a decade of limping postwar chaos, is not the only story of post- 1960s art, but it stays up there on the front page. Much against the odds of "internationalist" pieties, German artists in Berlin between...

Author: /time Magazine | Title: Art: Out of The Wall's Shadow | 8/24/1987 | See Source »

...they come from the shadows cast by the Berlin Wall and the skyscrapers of the postwar "economic miracle," the dissidents and mystagogues of what came to be known as heftige Malerei (violent painting), the political artists, the conceptualists with chips on their shoulders. Some were raised in the divided city; others had been drawn there by the Free University or, more generally, by the anarchic and utopian Bohemia of the '60s: the Fluxus group and its best-known member, Joseph Beuys, with his shaman's wands and dead hares; Eugen Schonebeck, with his images of mutants and cripples; K.H. Hodicke...

Author: /time Magazine | Title: Art: Out of The Wall's Shadow | 8/24/1987 | See Source »

Nevertheless, there is a great deal more to Berlin art than the production of industrial-strength angst. The city's rebirth as a major center of late modernism is now an accomplished fact. In this show -- the first attempt by a U.S. museum at a conspectus of the subject -- Curator McShine has done a good job of setting out, in samples rather than full packages (55 artists are represented), the peculiar mix of political intelligence, sharp irony, antic humor, mythic yearnings, brusque self-doubt and curiously facile pictorial effects that helped define Berlin's cultural temper before Nazism and that...

Author: /time Magazine | Title: Art: Out of The Wall's Shadow | 8/24/1987 | See Source »

Nevertheless, the Soviets could still apply their conventional superiority to other tasks. In crises between the Soviet Union and the United States or Western Europe, Moscow could use the military threat of invasion to coerce NATO into backing down, politically. One need only remember the Berlin crises of the 1960s for an example of Soviet tanks not on manuevers...

Author: By John C. Yoo, | Title: Learning to Love the Bomb | 8/21/1987 | See Source »

...West Germany to release two jailed Hizballah operatives, the killing of the Frenchman suggested another motive: to pressure Paris to end the continuing diplomatic standoff between France and Iran. Washington last week quietly warned government installations at home and abroad to be alert to the Iranian threat. In West Berlin, the Allied Command ordered a number of Iranian diplomats to leave the city "in the interests of public order and security...

Author: /time Magazine | Title: At War on All Fronts | 8/17/1987 | See Source »

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