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Word: bernardis (lookup in dictionary) (lookup stats)
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ZORBÁ is a sleek and synthetic musical version of the Kazantzakis novel in which Herschel Bernardi clodhops through the role of Zorba. The songs and dances, possessing neither virility nor ethnic veracity, hardly ever evoke the characteristic tone of Levantine lament...

Author: /time Magazine | Title: Television: Dec. 27, 1968 | 12/27/1968 | See Source »

...great serious musical about living, loving, suffering and dying. John Kander and Fred Ebb wrote the immensely theatrical score; Joseph Stein did the book; and producer-director Harold Prince tied it all together with a finesse the likes of which have not been seen since Jerome Robbins' heyday. Herschel Bernardi and Maria Karnilova are the leads, with a strong assist from gutsy-voiced Lorraine Serabian, who heads a Greek chorus. At the IMPERIAL, W. 45th...

Author: NO WRITER ATTRIBUTED | Title: Christmas in New York: The Plays to See | 12/20/1968 | See Source »

ZORBA. Producer-Director Hal Prince has turned out a non-Jewish version of Fiddler on the Roof. But this time Herschel Bernardi merely inhabits the hero's role rather than being possessed by it, and Maria Karnilova never quite provides the mixture of girlish coquetry and faded carnality that the role of Bouboulina requires. The music sounds as if it is being piped in by Muzak; the lyrics are insipid, the dances are any old folk...

Author: /time Magazine | Title: Television: Dec. 13, 1968 | 12/13/1968 | See Source »

ZORBA. Producer-Director Hal Prince has turned out a non-Jewish version of Fiddler on the Roof. But this time Herschel Bernardi merely inhabits the hero's role rather than being possessed by it, and Maria Karnilova never quite provides the mixture of girlish coquetry and faded carnality that the role of Bouboulina requires. The music sounds as if it is being piped in by Muzak, the lyrics are insipid, the dances are any old folk...

Author: /time Magazine | Title: Television: Dec. 6, 1968 | 12/6/1968 | See Source »

...characteristic tone of Levantine lament is scarcely heard, since music that weeps and words soaked in pain might dismay the theater-party ladies. The dances have the look of old folk dances-any old folk. Greek fire is missing. Zorba danced because words could not contain his vaulting spirit. Bernardi clodhops, while the supporting cast dances by a timetable as if it were catching a train...

Author: /time Magazine | Title: New Plays: The Pirate of Life Walks the Plank | 11/29/1968 | See Source »

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