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...definitive film about Viet Nam. Apocalypse Now promised to go beyond the narrow scope of Coming Home, beyond the wrenching drama of The Deer Hunter. These promises, though broken, can still be seen in the film. Like other legendary movie mishaps, from D.W. Griffith's Intolerance to Bernardo Bertolucci's 1900, Apocalypse Now is haunted by the ghost of its creator's high ambitions...

Author: /time Magazine | Title: Cinema: The Making of a Quagmire | 8/27/1979 | See Source »

...evidence of this movie, the 1978 Grand Prize winner at Cannes, it seems safe to say that Italian Director Ermanno Olmi is no fan of Bernardo Bertolucci's 1900. Like 1900, The Tree of Wooden Clogs is a lengthy (three hours), luxuriously photographed film about Italian peasants, but after that all similarities end. 1900 was a didactic epic that attempted to merge the florid drama of opera with the tenets of Marxism; Clogs is pointedly a tranquil, nonpolemical attempt to describe the peasants' daily existence in the objective manner of documentary cinema. Given their respective goals, Olmi...

Author: /time Magazine | Title: Cinema: Peasant Soup | 6/25/1979 | See Source »

MARRIAGE REVEALED. Bernardo Bertolucci, 38, Italian film director (Last Tango in Paris, 1900); and Clare Peploe, 31, his English assistant and onetime companion of Film Director Michelangelo Antonioni; both for the first time; on Dec. 16, in Rome...

Author: /time Magazine | Title: Milestones, Jan. 15, 1979 | 1/15/1979 | See Source »

Another oil optimist, Bernardo Grossling, a researcher with the U.S. Geological Survey, puts the range of recoverable oil at anywhere from 2,500 billion bbl. to 6,000 billion bbl. His argument: the potential of countries in Asia, Africa and Latin America is "staggering...

Author: /time Magazine | Title: Business: Oil: What's Left out There | 10/16/1978 | See Source »

Italian Film Director Bernardo Bertolucci was back in his home town of Parma, scouting locations for his new movie, La Luna, starring Jill Clayburgh. Seeing perhaps with the eyes of his imagination, the director stumbled over a No Parking sign and broke both his elbows. Not one to let so minor an inconvenience as arm-length casts deter him, Bertolucci was back on the set in two weeks, using a long wooden holder for his view finder. "When I started to direct this film," he said, "I already had a heavy responsibility as director and co-author of the screenplay...

Author: /time Magazine | Title: People, Sep. 11, 1978 | 9/11/1978 | See Source »

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