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...Nicholson is in the first flush of excitement at being a household word right now, and he is handling it with the respectable glee and half (but only that) the mocking humor of a sort of cutup prince regent. He is talking to Stanley Kubrick about playing Napoleon, to Bernardo Bertolucci about being the Continental Op in a film of Dashiell Hammett's Red Harvest. Milos Forman is waiting for him to finish Fortune, so he can start playing McMurphy in an adaptation of Ken Kesey's One Flew Over the Cuckoo's Nest. At no time...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

Last Tango presents sex without a disguise, and this scares off an audience. Even Pauline Kael, the most ardent defender of the film, was too busy figuring out things like whether Bernardo Bertolucci had made the first truly erotic film to explain her emotional reaction. The way audiences and other critics talked about the film suggests that people still have trouble thinking about their emotional reactions to cinema sex. Perhaps the emotions Last Tango in Paris elicited were too subtle to allow clear thoughts. More likely it's just that a moviegoer has a harder time saying "I was aroused...

Author: By Richard Shepro, | Title: A Sense of Death | 2/21/1974 | See Source »

...Harvard Square didn't get its print in time for advance screening, so I haven't seen it, but Malle's other films, such as Murmur of the Heart and Phantom India, are so outstanding that this study of a former alcoholic contemplating suicide should be well worth seeing. Bernardo Bertolucci's Partner, featured on the same bill, is another old film being shown here for the first time. It was shown once at the 1968 New York Film Festival, but for some reason it was never released commercially here before. (See review on page...

Author: By Richard Shepro, | Title: THE SCREEN | 2/21/1974 | See Source »

Last Tango in Paris. "A movie that people will be arguing about for as long as there are movies. Bernardo Bertolucci and Marlon Brando have altered the face of an art form." Well. Pauline Kael started it all with these words, and it was inevitable that parody would flourish to a point where Buchwald could talk of a dumb movie about the Parisian housing shortage and two apartment-hunters who find a rundown flat and spend a lot of time rolling around trying to measure it for a carpet. But it's not typical for anyone to skip joyously unaffected...

Author: By Emily Fisher and Richard Turner, S | Title: Thank You Richard Nixon: Ten Movies | 1/24/1974 | See Source »

LAST TANGO IN PARIS and THE SPIDER'S STRATAGEM. One overpraised but still important, the other too little seen. Together they establish Bernardo Bertolucci as a significant cinematic force...

Author: /time Magazine | Title: Cinema: The Year's Best | 12/31/1973 | See Source »

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