Word: bernardo
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...subtle, the secret ingredient in movie emotions. Morricone wants his music to be as evident as the performances and the visuals. There's simply no ignoring the chorale he composed for the rebel peasants' march in Gillo Pontecorvo's Queimada (Burn!) or the several stirring anthems he wrote for Bernardo Bertolucci's 1900. These are pieces that, as Morricone proved when he played them at a concert this month at New York City's Radio City Music Hall, can stand and soar on their...
...best young chef in the world. No American has ever made it onto the winner's podium in the nine previous meets that have been held. But Gavin Kaysen means to change that. At just 27, Kaysen is already head chef at El Bizcocho, the restaurant at the Rancho Bernardo Inn in San Diego, Calif., which the Zagat Survey has named one of the best places to dine in that city, and he has outfilleted, outsautéed and outroasted 30 other contenders to become the official U.S. representative at the Bocuse. "If there is something I want...
...quality he needs when he goes to buy ingredients for the big day. Many of his competitors are subsidized by their governments, but Kaysen has had to find his own sponsors. He has enlisted Uncle Ben's, Brandt Meats, De Buyer cookware and his employer, the Rancho Bernardo Inn. His chef's coat looks like a racing jersey, with the logos of his backers adorning his sleeves...
...same intense sexual innuendo as in previous 007 flicks. They study each other’s clothing and analyze the answers to their very personal questions. It’s one of the film’s best scenes and Green—who steamed up the screen in Bernardo Bertolucci’s provocative “The Dreamers”—enchants Craig and the audience with her performance.Martin Campbell, who first came to the franchise when he directed “Goldeneye” in 1995, goes back to basics in style as well...
...once upon a more adventurous time in movies, such a freedom of expression seemed imminent. In the late '60s and early '70s, as American directors like Arthur Penn (in Bonnie and Clyde) and Sam Peckinpah (in everything) pioneered the use of gaudy, picturesque images of violence, European directors like Bernardo Bertolucci (Last Tango in Paris) and Nagisa Oshima (In the Realm of the Senses) made the screen a place where the intimacies of adult couples could be dramatized...