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Soviet mathematician Joseph Bernstein should have gone a long way in his homeland. He is, in the words of one Harvard math professor, "regarded as one of the world leaders in the many fields he works...

Author: By Michael J. Abramowitz, | Title: A Refugee at Harvard | 2/25/1983 | See Source »

...Joseph Bernstein is Jewish. And in official Soviet circles, that mean being a persona non grata...

Author: By Michael J. Abramowitz, | Title: A Refugee at Harvard | 2/25/1983 | See Source »

...outcome of the story, confected by William Link and Richard Levinson, has never been in doubt. Far more uncertain has been the fate of the show itself. From the start, Elmer Bernstein's dial-tone melodies and Don Black's laundry-list lyrics overwhelmed every scene. Lame gags and pyrotechnical special effects?a barrage of chemicals, dry ice, floating props and eccentric lighting?fought the tiny wisp of plot. During one inauspicious performance, Henning's wife Debby, who plays a variety of roles, including Water, one of the four elements, found herself on the wrong side of a fountain...

Author: /time Magazine | Title: Is It a Magic Show or a Fire? | 2/7/1983 | See Source »

...since Bernstein has an American-born, American-trained conductor had such an astonishing career. As music director and principal conductor of New York City's Metropolitan Opera, one of the world's top opera companies, Levine wields an international influence. During the summers, when he is not working at the Met, he leads the Chicago Symphony as music director of the Ravinia Festival. He is in demand as a guest conductor, and such is his reputation that whenever a major vacancy in the conductorial ranks occurs, Levine's name (it rhymes with divine) is invariably mentioned...

Author: /time Magazine | Title: Maestro of the Met: James Levine is the most powerful opera conductor in America | 1/17/1983 | See Source »

...dream, however, is no fantasy. Observes Soprano Renata Scotto, who frequently works with Levine at the Met: "The rapport he establishes is so wonderful, it is really a joy to make music with him." When Bernstein heard Levine lead his first Parsifal at the Met, in 1979, he broke into tears. "It was the best Parsifal I ever heard," he recalls...

Author: /time Magazine | Title: Maestro of the Met: James Levine is the most powerful opera conductor in America | 1/17/1983 | See Source »

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