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...that Leonard Bernstein conducted Beethoven's Fidelio in Vienna, a son was born to U.S. Soprano Olive Moorefield of Vienna's Volksoper and her husband, Dr. Kurt Mach. "Love and congratulations," Bernstein wired, "for Oliver Kurt Fidelio." The parents were delighted and added Fidelio to the boy's name. "Think of the poor baby's fate," mused an Austrian TV commentator, "if Lenny had conducted Die Meistersinger von Nੜrnberg that evening...

Author: /time Magazine | Title: People: Jun. 15, 1970 | 6/15/1970 | See Source »

...among the fun people to have their own Worst Enemies, Black Panthers, Grape Strikers and such, in for cocktails. Confrontation now! The party at Lenny's, of course, was that fund-raising seven-to-niner for the Panthers at the Park Avenue duplex of Mr. and Mrs. Leonard Bernstein (dress informal). To Wolfe fans, the 20,000-plus word portrait of sophisticated slumming at home will be a classic. To his detractors -a category that must now include just about everyone at the Bernsteins' that night-it will be a scandal...

Author: /time Magazine | Title: The Press: That Party at Lenny's | 6/15/1970 | See Source »

Spic and Span. As ever, Wolfe prefers fangs to hatchets. "The Panther women are trucking on into the Bernsteins' Chinese yellow duplex, amid the sconces, silver bowls full of white and lavender anemones, and uniformed servants serving drinks and Roquefort cheese morsels rolled in crushed nuts." Then down come the incisors. "But it's all right. They're white servants, not Claude and Maud, but South Americans. Obviously, if you are giving a party for the Black Panthers . . . you can't have a Negro butler and maid." But then Felicia Bernstein (Felicia Montealegre that...

Author: /time Magazine | Title: The Press: That Party at Lenny's | 6/15/1970 | See Source »

...loud, and the popping corks of the gastroenterologists on the floor interrupted the performance every other minute. Arthur Fiedler's daughter made a valiant effort to narrate Peter and the Wolf as it was danced by the Boston Ballet Company, but somehow the piece was too contrived, too Leonard Bernstein-ish, too much an attempt to condescend to the masses. Or perhaps this reviewer is just too bilious...

Author: By Michael Ryan, | Title: The Concertgoer Pops Culture | 6/9/1970 | See Source »

...Bernstein: There have been innumcrable interpretations of Endgame, perhaps the most famous being Martin Esslin's characterization of the play as an example of "theatre of the absurd." Do you feel that this type of criticism gets in the way of an approach to prcsenting Beckett...

Author: By Charles Bernstein, | Title: The Open Theatre: An Interview | 5/21/1970 | See Source »

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