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...around the world found similar signs of lava, smoke and fire wherever Rostropovich has wandered. In Jerusalem, Isaac Stern talked to TIME'S Robert Slater about "the intensity, the sheer eruptive force behind Rostropovich's enthusiasm." In New York City, Reporter-Researcher Rosemarie Tauris Zadikov interviewed Leonard Bernstein, who recalled how Rostropovich first came to dinner a decade ago, bringing "records, tapes, scores and messages from Shostakovich." Washington Correspondent Bonnie Angelo went to question Rostropovich and to watch his orchestral rehearsals in his newly adopted city. Recalling his emotional concert with the National Symphony on the Fourth...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 24, 1977 | 10/24/1977 | See Source »

This article was written collectively by the following members of Mobilization for Survival: Jim Garrison, a Ph.D. candidate at the Divinity School; Geoff Bernstein '80; Sybil Highes '81; Geoff Wisner '80; Paige Tolbert '79; Joan Lancourt; and Kathi Matthews...

Author: By Jim GARRISON Et al., | Title: SURVIVAL | 10/18/1977 | See Source »

...educational -new public television series aimed at older elementary school children that began airing last Saturday night. Produced by WETA station in Washington, the ten half-hour shows-which will be available for use in schools after their ten-week PBS run-combine the high orchestral quality of Leonard Bernstein's celebrated children's concerts with spoofs inspired by Rowan and Martin's Laugh-In. Their purpose, says brash Host Murry Sidlin, 37, is to create consciousness raising in music. Sidlin, who conducts the National Symphony Orchestra in the series, believes "young people are visually sophisticated...

Author: /time Magazine | Title: Education: Making Music Leap to Life | 10/17/1977 | See Source »

Have you ever wondered what Mozart might create if he were to set out to compose music today? If you haven't, you probably have wondered how Mozart would react to Leonard Bernstein, Pierre Boulez, or even Fleetwood Mac. Maybe they're both the same question. In any event, the first question is the one which Larry Livingston, music director of the New England Conservatory Symphony Orchestra, will address Tuesday night in the NEC's first "Music After Five" program of the season. Livingston's lecture and demonstration is one of half-a-dozen mostly free classical events this week...

Author: NO WRITER ATTRIBUTED | Title: Wolfgang Today | 10/13/1977 | See Source »

...Bernstein does not condemn colleagues who did odd jobs for the CIA. "Some of what happened was, in the context of the times, understandable," he says. "Some is less understandable. This is just a story to try and find out what happened and why." But it may be more than that. Though the article has so far received little attention in the foreign press, there is the possibility that some nondemocratic governments, having long used the specter of CIA ties as grounds for expelling troublesome correspondents, will now cite, however incorrectly, Bernstein's story as justification for their acts...

Author: /time Magazine | Title: The Press: Working for the Company? | 9/26/1977 | See Source »

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