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What Standard had won the State Department could not ignore, although Washington had hitherto not thought it necessary to have diplomatic relations with the Near East's largest State. On July 26 orders were given to accredit His Excellency Bert Fish, already U. S. Minister to Egypt, additionally to Saudi Arabia, and last week down the Red Sea at last sailed Bert Fish...

Author: /time Magazine | Title: SAUDI ARABIA: Fish to Jidda | 2/19/1940 | See Source »

...Saudi Arabia, is too scorching hot for tourists, and death is traditionally the penalty for any non-Mohammedan who should venture inland from it to Holy Mecca, birthplace of Mohammed. Jidda harbor is protected by two miles of treacherous reefs, and gingerly last week the chugging little steamer bearing Bert Fish went threading in through the narrow, twisty channel called "Jidda Gate." The blinding white and torrid town, where every window is latticed against the sun, is a maze of narrow streets into which tall stucco houses jut at crazy angles. All but one of the city gates are generally...

Author: /time Magazine | Title: SAUDI ARABIA: Fish to Jidda | 2/19/1940 | See Source »

...Sylva). First show in four years to charge $7.70 on opening night (with seats being scalped at $50 and $75 a pair), Du Barry Was a Lady swept into Manhattan last week with a tremendous advance build-up and the virtually golden guarantees of Cole Porter, Bert Lahr, Ethel Merman...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 18, 1939 | 12/18/1939 | See Source »

...catchier tunes. But as a splendiferous version of regulation musicomedy Du Barry Was a Lady is all there. Its costumes are gorgeous, its goings-on boisterous. Its wit is almost nil, but its wisecracks are raw as a cannibal sandwich, suggestive as a red light burning in the hall. Bert Lahr is at his best-which is good enough. Ethel Merman is at her best -which is tops...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 18, 1939 | 12/18/1939 | See Source »

...Bert Lahr is at his best when he goes royal, wrinkling his sub-Bourbon nose and speaking French as though afraid it might bounce back and hit him. As for Ethel Merman, if she is a little less than kin to Du Barry, she is more than kind-makes her, in fact, the most likable royal trollop that ever pranced behind footlights. More of an 18th-Century tomboy than a glamor girl, Merman booms and torches away in her train-announcer's contralto, jouncing her personality all over the stage, giving the King the oo-la-lahr, then...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 18, 1939 | 12/18/1939 | See Source »

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