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Word: berte (lookup in dictionary) (lookup stats)
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...BERT MINAR Great Neck...

Author: /time Magazine | Title: Letters, Jul. 29, 1957 | 7/29/1957 | See Source »

...Great Career Girl. Mrs Ayer was no less a Victorian than Mrs. Gladstone and (like all the best Victorians) no less unorthodox, but she was more spectacular about it. She spent 150,000 of husband Bert Ayer's iron and steel dollars on her Chicago household expenses each year. She read highbrow magazines and struggled to get Bert to like her French dishes (the French novels were beyond him). Alas, he threw her magazines in the fire and, instead of eating, drank. Harriet, "bird of gorgeous plumage strayed into a hen yard," might have had a long, drawn...

Author: /time Magazine | Title: Books: To the Last Man | 7/1/1957 | See Source »

...very wrong to eat peas off a knife. Perhaps gallant General Grubb might have conceded that, regardless of who won the Civil War, American women won the peace. Harriet Hubbard Ayer fought to the last man and had the final victory of picking up poor old Bert Ayer's unpaid tabs before he died. And. some say, holding his hand...

Author: /time Magazine | Title: Books: To the Last Man | 7/1/1957 | See Source »

...Hotel Paradiso Bert Lahr is married to a battle-ax, and somehow gets out from under her thumb to seek sin with a beautiful blonde lady. In due course, for one reason or another, he and the lady, her husband's nephew and a lady's maid, the husband himself, and a family friend with four innocent golden-haired daughters, are all cheek-by-jowl or better in a Paris fleabag. Upstairs and down they scamper, in and out of rooms they dash, till the gendarmes come rushing in at the second-act curtain...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Apr. 22, 1957 | 4/22/1957 | See Source »

Under Peter Glenville's direction, the acting is not all of a piece, but Angela Lansbury as the blonde and Vera Pearce as the battle-ax catch perfectly the right emphatic, externalized manner. Bert Lahr's performance is harder to appraise: he is in a sense too good for French farce without always being entirely right for it. His clowning has always a certain human appeal; his zany genius is rooted in character and a little disrupted by plot. His own timing is flawless, but too personal for pacing flat, stylized farce. He doubtless gives the play something...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Apr. 22, 1957 | 4/22/1957 | See Source »

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