Word: bertollucci
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Dates: during 1970-1979
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Director Nicolas Roeg (Performance, Walkabout) has done for the sudden cut what Bertollucci did for the tracking shot the day he went out and hired a guy named Marchetti--the best camera pusher in the world. He has made the mystery of the camera into a world of mystery...
...Conformist. One of the great ones: by Bernardo Bertollucci, with Dominique Sanda and Jean-Louis Trintignant...
...Conformist features the year's freshest colors, passionate direction, and a beautiful girl who can act, Dominique Sanda. It is also meaningfully ridden with guilt and melancholy. Filmmaker Bernardo Bertollucci--once a Godard acolyte--here encloses himself in circular storytelling and claustrophobic environment. A repressed homosexual (Jean-Louis Trintignant) turns to Fascism to become one of the boys, can't cut the mustard even then, and finally returns to simpering solitude when Mussolini falls. The film examines the paths decadence travels in a decrepit society: note that the liberal professor whom Trintignant reveres fled Italy when his student most needed...
...worldly' morality lies in Dominique Sanda's Micol. Showing herself as an almost incestuous alter ego to Helmut Berger's Alberto, her cool beauty fails to mask a festering decadence that has been epitomized by Berger's own performances in Visconti's The Damned, and Bertollucci's The Conformist. While society is being corrupted outside the garden, the self-contained life-style perpetuated by the Finzi-Continis on the inside is rotting at the core. Raised as a bluestocking, Micol quips to Giorgio that she's writing her thesis on Emily Dickenson, "a dried-up spinster like me." Minutes later...
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